Tuesday, April 30, 2013

Meet Thorvaldr


Necronymous Forum

Private Message
Subject: Okay… Sent: Thu Jan 08, 6:36 pm
From: Seraphine-Savior To: Centurion616

This is kind of random, but I notice your posts constantly mention this ‘Thorvaldr’ character. You always say it’s watching something or waiting for something, but no one else has any idea who or what it is. I’m just curious… Who is Thorvaldr? :O

Subject: Re: Okay… Sent: Fri Jan 09, 2:17 am
From: Centurion616 To: Seraphine-Savior

Thorvaldr? I’m almost glad you asked. He’s just kind of there. A sort of presence, if you will. I can’t really explain it properly without it sounding completely odd. By the way… he sees you.

Subject: Re: Okay… Sent: Fri Jan 09, 12:01 pm
From: Seraphine-Savior To: Centurion616

Uh… could you explain that a bit better? Sorry, I don’t understand. I mean, is he a person, a ghost, a pet, or what? D:

Subject:Re: Okay… Sent: Fri Jan 09, 5:20 pm
From: Centurion616 To: Seraphine-Savior

Thorvaldr is a warrior king. He is waiting for the moon to rise as of now…

Subject: Re: Okay… Sent: Sat Jan 10, 4:14 pm
From: Seraphine-Savior To: Centurion616

9_9 I’m sorry, that just raises more questions than it answers. Don’t bother wasting my time by replying if you aren’t going to say anything useful. I know I’m probably coming off a little bit harsh, but it doesn’t seem like you’re taking this seriously at all. I’d try to help you on the forum, seeing as everyone thinks you’re a complete weirdo and I want to see if there’s anything that could be explained to them so maybe you’ll have an easier time.

Subject: Re: Okay… Sent: Sun Jan 11, 8:43 pm
From: Centurion616 To: Seraphine-Savior

I almost considered just deleting that reply there and carrying on the way I have been, but I’ve a feeling you’re not going to give up either way. If it’s that important to you, I’ll explain everything. To the best of my knowledge, Thorvaldr is something of an entity, and like I said before, he’s just there. He doesn’t even have a body, but somehow I’m able to know his every move and that he wants me to tell others about it. It’s an impulse. If I don’t tell everyone about Thorvaldr, he gets angry… He starts clouding my vision and everything gets dark and blurry, then I can’t sleep at all because I’m just lying there shaking. I can almost hear his voice kind of, but he’s not saying anything in particular, only these syllables and non-words that come out of nowhere right when I think everything’s quiet. He’s there, and he’s always there. I can’t get rid of him. I don’t want to go to a shrink, because last time I did they just gave me these pills that only made everything worse. I started seeing Thorvaldr in my own reflection. Even though it was very vague and hard to make out, I could tell it was definitely him.

I can’t fight it. Can’t fight a warrior king, especially when he’s taken over my mind like this. I’m trying to remember what happened, but somehow my memory’s been shot. Maybe Thorvaldr did it. I vaguely recall something about getting lost somewhere when I was in Norway, but that’s it. I’d tell you more, but I fear he’s trying to choke me as I type this…

Subject: Re: Okay… Sent: Tues Jan 13, 11:00 am
From: Seraphine-Savior To: Centurion616

Wow… that’s really weird… Anyway, the reason why it kind of took me an extra day to reply is because when I read that message, I had pretty much no idea what to say. That is really really weird. Maybe he’s just mad cause he doesn’t have a body? lol

Subject: Re: Okay… Sent: Tues Jan 13, 1:10 pm
From: Centurion616 To: Seraphine-Savior

Thorvaldr thinks that’s a great idea. Thank you.

Subject: Re: Okay… Sent: Tues Jan 13, 7:19 pm
From: Seraphine-Savior To: Centurion616

What?

Necronymous Forum Topic – Meet Thorvaldr By: Centurion616
Posted: Tues Jan 13, 7:20 pm

At least he’s not waiting anymore. (Pardon the blood)
[Video embedded]

Subject: Re: Meet Thorvaldr By: Demona
Posted: Tues Jan 13, 7:26 pm

That was really disturbing. Put up a warning next time.

Subject: Re: Meet Thorvaldr By: milkofthedead
Posted: Tues Jan 13, 7:27 pm

^ I think “Pardon the blood” could count as a warning. Though he didn’t say anything about the ‘corpse.’ At least I hope it’s not a real corpse… :O

Subject: Re: Meet Thorvaldr By: Neocracy
Posted: Tues Jan 13, 7:29 pm

Could someone tell me what it is? I’m too afraid to watch the whole thing, I stopped as soon as he left the room.

Subject: Re: Meet Thorvaldr By: Demona
Posted: Tues Jan 13, 7:36 pm

Okay, here’s a summary of what happened, at least the way I saw it. If anyone has any corrections, I’ll edit this.

0:00-1:12 – Some guy (I think it’s Centurion, but I’m not sure) is standing over a partially dismembered corpse on his bed. He’s replacing the missing limbs and digits with other body parts he’s pulling out of a sack.

1:13-1:40 – He leaves the room, comes back with a rusty sword and helmet and “equips” the corpse with them. Then the video just kind of jump-cuts there.

1:40-3:40 – He’s now sitting in front of the camera, staring. You can kind of see the corpse in the background, only for some reason the limbs are attached to the body like they actually belonged there. Then the damn video jump-cuts AGAIN…

3:40-4:36 – Same thing as last time, only Centurion is gushing blood through his closed eyelids and mouth. You can see some blood on the corpse too, and at the end of it all, Centurion smiles and waves.

Like I said, really disturbing shit. It’s worse than it sounds.

Subject: Re: Meet Thorvaldr By: Neocracy
Posted: Tues Jan 13, 7:38 pm

Oh, that was it? It’s got to be fake. I mean, if he’s bleeding out his eyes like that, how can he see to post? And it’s definitely Centurion in the video. He’s got the swastika tattoo, remember?

Subject: Re: Meet Thorvaldr By: ForTheEmpire
Posted: Tues Jan 13, 7:44 pm

If it’s fake, those are some really cool effects.

Subject: Re: Meet Thorvaldr By: Seraphine-Savior
Posted: Tues Jan 13, 7:49 pm

No, no, it’s not fake. And it’s all my fault. See, we were PMing one another before, and I asked about the Thorvaldr guy. If I hadn’t suggested that Thorvaldr needed a body, then none of this would have happened.

Subject Re: Meet Thorvaldr By: milkofthedead
Posted: Tues Jan 13, 7:55 pm

It’s not your fault, Seraphine. Centurion would’ve done it anyway, he’s just like that. Remember when he wouldn’t stop obsessing over that church arson guy?

Subject: Re: Meet Thorvaldr By: Winterwing
Posted: Tues Jan 13, 8:00 pm

4:21- It blinked. I swear to god, it blinked.

By: Lindsay S. (aka HackerOnHacker)

Monday, April 29, 2013

Core


This message is my map, and this map is my message.

The earth here is thin. I move about it so freely, and the ease of it is a delicious thing, but it is also frightful. I dig my inscriptions by feel and touch, and because I know the earth, I know that this will be massive for your senses.

Here in this layer of the planet, I am inbetween my people and your people. I float about in this soft soil like a drifting bubble, weightless and yet handled so delicately within my surroundings that my fragile dome will never burst. I am fit to drift along in euphoria. I would do this forever, if granted the chance, but I have responsibilities to my people, and to our Mother.

If I were to glide about, dreamlessly, in this infinite expanse of softrock, a few fathoms beneath your manmade pave-veins, I would lose myself in the arms of Mother, and she would love to have me lost. That exquisite moment will not arrive until your end-time comes. For now, I must finish the task I have been chosen for by our matron. She was born from the hardrock and the fire at the very core of Mother, and so I cherish and love her for choosing me to finish this map for our people.

If I were to abandon my quest and return home now, I could be in the heartfire of earth within two of Mother’s circles. Perhaps that holds no meaning for you, but because I have lurked just beneath the pave-vein in your greatest den and homestead of New York City, I know that the word I must use is “years.” You measure your core by a finite passage of time in units. We measure ours by Mother Earth herself, as you once did before in history, before you created the deathly grid and thought yourselves too intelligent to honor Mother. This is what saddens her, and this is the cause of the war between my people and your people.

It has taken me over one thousand of your years to reach the earth just below your pave-veins and grids of softrock. At first, I did not understand, and I would glide along through the thin places as your slow moving metal boxes with the rubber feet would adhere to the limited paths that you have provided for them. They are lumbering beasts, unable to dig, deaf and dumb constructs that are reflective of their creators. I do not pity you, because if you had used her gifts the way they were meant to be used, you would be as my people are now.

I traveled up from the heartfire at the core, and I learned your grid. I have traveled it, mapped it, and meticulously crafted the crooked places above the soil. They are illogical. Why you take the softrock from Mother’s ample womb and move it to create your own veins is beyond me. It is disgusting, and it gives me more purpose to fulfill what the matron has sent me to your thinplace for. Mother’s veins are designed to be flowed through, to be embraced and traveled as they were created. What you do to her is an abomination.

We hear her soft whimpers at night when we try to sleep, and it pains us. The core of fire at her heart is our resting place, and now it is plagued by the agonized wails of the planet. She hid her grief and pain from us, but the noise was too great for us to sleep. You have made us restless.

It took time for us to coax her in to revealing the source of her sorrow and anguish. That source is you and your people. You have assaulted the most beautiful of beautiful things, and for this, we hate you. You have brought this on yourself.

By the time one of your geologists finds this long message, riddled throughout the endless tunnels and archways within Mother that I have dug, it will be too late. The map is already almost finished. What I dig now is only superfluous to our real motivations. I dig this message now to provide an explanation, a reason for what we are about to do. We feel that we do not owe you this. Mother feels differently, despite her scars, and so we honor her wishes.

The dig from the core has been long. When I first began in the expanses of hardened molta, I moved slowly. Her screams chased me through the trenches of stone and furious flame as your years passed, and you continued to wound her further. Her pain was my pain, and so my progress quickened. Feeling the shudders of Mother, she caused me to burn bright, to blast through the hardrock and reach the thin places where I can move like one of your bullets.

The number of trenches and veins that I have burned through her is incomprehensible to your kind. They are all pathways for my people to travel from the core of fire to your thin place. I have mapped her for them, and so they need only unleash our message to you in the boughs of the clouds. You will see the sky burn as bright as our home at her center, and all of you will perish.

It will take us some time to overgrow your atrocious pave-veins with our earth, but we will help her. We will blast them in to oblivion as easily as we will blast from the map beneath your beasts on rubber. We will reap the cause of her pain away in one ascending windfall, and then her wails may soften. Eventually, she will be gleeful and throbbing with life once more, and we will fall fitfully asleep, as we should be now, if it were not for your people.

This map is my message, and I am growing tired of your thin place in the crust beneath your metropolis dens. They are an affliction on Mother’s perfect face, and because you have marred her beautiful cheeks with her own tears, we will rend you with the very fire that we were born from.

By: Violent Harvest

Forgotten

Memories. They’re how we know what has happened. Everything you remember goes in to who you are, why you act the way you do. It’s a shame that people are not afflicted by the things they cannot remember. Especially you.

Memories are funny like that. Sometimes, when something so wonderfully frightening happens to you, your silly mind blocks it out to ‘protect you.’ While it might think it’s doing you a favor, it kills me to see it take those things away from you. Amazing things have happened to you. Horrible things have happened to you.

Even if you’ve forgotten, I will always remember. I was there with you every step of the way. I was standing in the shadows, watching you. Tormenting you. You have such exquisite fear, I can’t get enough of it. Over and over, I put you through the most exciting times of your life, watching each time as you collapse upon yourself in mindless terror. You’re exhilarating. If only I could watch you suffer forever.. But that silly mind of yours. Each time, you forget what fun we’ve had and go on like nothing ever happened. You even read stories about horrific things, and you take pleasure those horrors as I do.

Yet, you could never even fathom how grand it is to watch you endure them. None of those stories could amount up to the terrors you’ve faced. I want to have more fun with you, and spend more time with you. I want to watch you screech in dismay again and again. I want to experience your agony a million times. I only wish you would remember the dread I put in you. I wish that you would remember me, and cry out in the night. It delights me thoroughly every time you see one of my abominations. You’re so resourceful, always finding a way to live without losing any of your limbs. If only I could watch you die as you scream, so scared for your life. If only the last memory you had was of me, making you drown in your fear as you begged for mercy, tears streaming down your face. I’d tell you I love you, and I would thank you for all the great times you’ve let me share with you. I think I would be truly happy as I watched you sink into your final, dying despair.

If you were smart, you wouldn’t turn out those lights and pretend you’re not hearing strange noises. You wouldn’t distract yourself and remain alone, convinced that you’ll be okay. Do you remember what happened the last time you did?

.. No, I suppose you wouldn’t.

By: Sama

Friday, April 26, 2013

The Theater



Have you ever heard of an old PC game called “The Theater”? Yeah, I didn’t think so. Probably because many people say it doesn’t even exist. You see, The Theater is an old computer game released around the same time as Doom. Today, if you ever find it, it’s only available on crappy bootleg CD-ROMs, which, more often than naught don’t even actually contain the game.

The actual legitimate copies that they say were released back in the day feature a blank cover with nothing but the sprite of what has since been named the ‘the Ticket-Taker’. He is simply a poorly drawn, pixelated Caucasian, bald man with large red lips wearing a red vest over a white shirt and black pants. He is completely emotionless, though some say that if you smash the disc his face is shown as angry the next time you look at the cover. But this is just dismissed as an urban myth. What is peculiar about The Theater, though, is that there is no developer named on the jewel case, nor a game description on the back. It is simply the Ticket-Taker on a white backdrop on both sides.

The game was initially known for its inability to install correctly. The installation process immediately locks up the computer when the user reaches the licensing agreement. Also strange about the licensing agreement for The Theater is that whenever the development studio is supposed to be named, the text is simply a blank line. Anyways, most people who have claimed to owning one of the original CDs say that they figured out how to install the game by simply rebooting their computer on the licensing agreement with the disc still inside. Then they are prompted to press ‘I AGREE’ on startup. Then they continue with the installation. The game then starts up without any introduction besides a main menu that is simply the sprite of a movie theater’s exterior on an empty city street. The title fades in and then the 3 menu buttons ‘NEW GAME, LOAD, OPTIONS’. Selecting OPTIONS immediately crashes the game to the desktop. LOAD is said not to function at all. Even if you do have a saved game, nothing happens when you press it. Thus, NEW GAME is the only working menu option.

Once it is selected you are in the first person view. You are standing in an empty movie theater lobby, with the exception of the Ticket-Taker standing in front of a dark hallway which one can only assume leads to the theaters themselves. There’s nothing to do but look at the poorly-drawn, mostly illegible movie posters or approach the Ticket-Taker. Once the player moves towards the Ticket-Taker a very low-quality sound clip plays saying “THANK YOU PLEASE ENJOY THE MOVIE” along with a speechbox saying the same thing. You then walk into the hallway and the screen fades to black and you’re back in the empty lobby and you do the exact thing again and again and again.

While this may sound like a really horrible game, a number of peculiar things occur as you continue to play it. The number of times that you have to continue into the hall after giving your ticket to the Ticket-Taker before the strange events happen is unknown. Most state that it’s completely random and could take anywhere from the first playthrough to the four hundredth. What happens, though, has deeply disturbed some players.

The first occurrence is when the player fades back in after walking into the hallway. This time they will notice the Ticket-Taker is completely absent. The player then, without any other options, decides to walk into the dark hallway. The sound clip and text box mentioned previously still play in the absence of the Ticket-Taker, but when the player walks into the hallways the screen does not fade out.

It goes pitch black as they walk deeper into the hall, but the player’s footstep sound clip is still playing as they continue to push the up button on their keyboard. Those claiming to have played the original game report to have felt extremely uncomfortable walking down the hallway, anticipating the whole way something horrible happening. Well, eventually the player is unable to move forward. There is nothing for a few moments before a strange sprite that is described as ‘the Ticket-Taker but with a swirl for a face’ appears and stands before the player. The original players of the game say their bodies immediately froze up and their stomachs churned they saw this sprite (which has been appropriately named the ‘Swirly Head Man’). Nothing happens as the Swirly Head Man stands before them. Then suddenly a piercing screech plays as the game glitches out. This lasts for a few minutes, with the screeching being continuous. Then the player is abruptly returned to the lobby with all the sounds and graphics being as they should be.

The game continues normally for the next couple of ‘cycles’ of entering the hallway, with a couple of the original players claiming the Swirly Head Man would briefly appear and disappear in the corner of the screen as a brisk ‘yelp’ sound effect plays. Then, at some point after meeting the Swirly Head Man, the player sees the Ticket-Taker pacing back and forth (though there is no walking animation – the sprite’s limbs are completely static, so he just hops up and down slightly as a substitute) with his eyes being wide and his mouth open to simulate a worried facial expression.

Some players noted that the movie posters had been replaced with images of the Swirly Head Man, which caused them to immediately turn their character’s head away from the posters and approach the Ticket-Taker. Then another, different, low-quality sound clip plays, but the speech box contains nothing but corrupted characters that cause whatever text that would have been in the box to be completely illegible.

Due to the extremely low quality of the sound, it is debated by players what exactly the Ticket-Taker says at this point, though it is widely agreed that he says ‘NEVER REACH THE OTHER LEVELS’. Then the screen fades out once again and returns the player back to their starting point in the lobby, but the Ticket-Taker is gone and the hallway is blocked by a large brick wall sprite. Touching the brick wall will immediately crash the game.

 And that’s all there is to it. No one knows what the ‘Other Levels’ are or how to gain access to them, nor is it known why the Swirly Head Man causes such acute fear in those who have seen him in the game. All the original copies of The Theater have either been lost or destroyed. But the creepiest part is the fact that is that all the original players of the game claim to occasionally see a brief glimpse of the Swirly Head Man out of the corner of their eyes…

By: Anonymous from Something Awful Forums

War of the Dead


The power does it to everyone. It corrupts us all, or at least those of us who embrace it.

Although we dive right in to be swept away by the black waters of necromancy, it’s not easy for us to stay afloat. Our humanity is the coastline, the palm trees, the dry land itself. You put your humanity side by side with the fact that you’re a wizard of hell, coastline next to infinite expanse of ocean, and you decide being a wizard is more fun. It appeals to you. You can’t get away from it, so you dive in and swim out in to the ocean to get a bigger taste. To feel it all over your body, instead of just staring at it and dipping your toes in.

The first time you swim in the ocean of the dead, the waters are electric to your soul. They shock you, show you things that you can’t possibly understand but eventually DO come to understand. One day, it just so happens that you might decide you’re tired of swimming, so you try to turn around, but the coast is gone. You don’t swim back. You keep being swept out. To the sharks and an unknown abyss below you. The only place you can go is down, and that leads to a place that no man has been before.
That is my family’s struggle, and they have devised a society and a code over the years. If I have the right person, then the man in front of me has trampled our ideals in to the ground. Our traditions, our laws, our fellowship. In truth, we necromancers are afraid not of the dead, but of each other. We know that one of us might become too potent somewhere down the line because we stumble across the right demon with the right power, or because we sacrifice a particularly powerful spirit to the underworld. We know that one day, one of us might rise up and try to assert a kingdom of the dead on earth.

The Chomhairle believe this is the man who poses that precise threat. They sent me to find him after we found his diary. When my father learned that his own brother had deserted the coven and handed over a bloodstone to a random child due to a disagreement, he put a death sentence on this man’s head. We couldn’t begin to search for him until he left his bloodstone behind. A trace of his power that we could latch on to, that we could follow.

The man shuffles past me to the urinal with a mumble of “excuse me,” and he shies away from looking me in the eye. He seems tired and drained. This is a good start. It could be him.

I linger by the sink, lather my hands, and rinse them off, hoping that he will finish in time for me to see his face in the mirror. To strike up a ten second, meaningless conversation. Anything. It’s been such a long road here. I’ll take what I can get.

I have to know. I can’t walk out of this place now, even if I’m on the brink of death. I might have to teeter here for awhile. He is so very, very familiar with the spirit world; he might know it more intimately right now in this very moment than I ever will in my lifetime. If this is him, then his guise of deception is stronger than any in our history.

We know some of what he is capable of. But not all.

I hope one minute spent in this bathroom will be the conclusion to the longest wild goose chase in the history of the Chomhairle. If this is him, then I’m initiated as a council member. If it’s not, then I’m at least another hundred years out. My ambitions within the council are nothing in comparison to the thirst for power.

The bathroom is fritzy, five star, and new age. It’s deep in the heart of Soho, of course. A cesspool of youthful rebellion. The green light in this place is too strong. That’s hint number one that I have the right man. Let me go down the list for you.

When he shakes it off, he spends an extra five seconds scratching his testicles, and then he rubs them a bit as he stares at the ad for the after hours swinger’s club in the corner above the urinal. Even if this isn’t the guy, he’s still a pervert, and I’ve decided to sacrifice him if he’s my sixth case of mistaken identity in a year out of simple frustration.

I wash my hands a second time, waiting on him, trying not to be disgusted. He finally zips his fly and moseys over to the sink. So there’s hint number two.

“You spill something on yourself?” He asks me.

I’ve never heard his voice. It sounds different than I expected.

I know how this dangerous sorcerer sees the world. He’s made a mistake, sharing his most intimate confessions with me. He never should have written them down. His ego may be his weakness, if I’m strong enough. Maybe.

This has to be him. I say it in my head a thousand times in a split second.

“Crawfish bisque. Good as hell, but I can’t seem to finish a bowl without spilling it all over my sleeves.” I say, squirting a fresh batch of soap on to the paper towel and scrubbing at my perfectly clean fisticuff.

“Aren’t you a little old to be dining here? I’d think you would be at the Mesa or the Palm.” He says, and he makes a valid point. I do feel out of place here. I’m the only person in the building over the age of twenty five.

He’s bold. He thinks he’s invincible, and I know that this is hint number three. He says the first thing that comes to mind with impunity, and he always has. That explains the four ex wives and the masculine decorations in his town house.

I stare at his eyes in the mirror, and he’s too busy focusing on my pocket. This is hint number four, and this is the best of them all. I know this is the rogue necromancer. His eyes have a green twinkle in the backs of them, something that normal humans can’t see. He feels the stone, burning with ice fire in my pocket. He knows it’s fucking on me, and he’s stood next to me for less than half a minute. That’s because he can’t ignore the pull. It shows.

This is him.

Before he dies, I have to hear his story. I have to know how he uses blood magic without the artifact, even if my own father kills me for it.

I can feel it reaching out for both of us. Begging to be used. It’s not easy to say no, even for me. I’m not surprised that he has become this in such a short period of time. He hasn’t had anyone to hold him in check. Despite the flawless haircut and the twenty year old face, I know I’m staring at a demon in a human’s skin. I reach in to my jacket, and his eyes widen as he realizes the magnitude of this small encounter in a men’s restroom.

The stone is frigid and cold at my touch, but my fingertips delve past it to a pack of gum. When I place a piece in my mouth, I offer the pack forward.

“Freshen your breath? Got a date out there, I’m sure, you being so young and successful and all. I bet she’s even younger than you.” I say with a smirk.

He stammers and tries to speak, and it takes him a long while to gather himself. It’s probably the first time he’s looked unsure in decades.

“It’s alright. Don’t say anything just yet. You know, that diary of yours sure was a fascinating read.” I say, biting in to a fresh explosion of spearmint goodness.

He’s taking his time, searching for the right words. I think part of it is fear, part of it is excitement, and part of it is just complete bewilderment. He can’t believe someone has done it. Maybe he’s been waiting for this day, or maybe he’s been dreading it. More than likely, he’s always considered it an impossibility. He’s conceited enough. No one can do what he has done, or so he thinks.

“You have something that belongs to me. It’s been a long time. I hope you found good use for it, but I’d like to have it back.” He says.

I oblige him and place the frosty construct of eternal youth in his palm.

“How did you continue to perform the ritual without the stone? That’s impossible.” I tell him. I have my own list of questions, and my father wants me to bring him back to our Gaelic homeland alive. I care little for my what my father wants, or his tired old code. I know this man has real answers for me, because he has no limits.

He’s gathering something inside. Something powerful.

If he decides to duel now, I am dead. Guaranteed.

“If you were practicing the art before you found my house and the things I left behind, then you should know by now. Your necropotence is weak.” He says, and he laughs at me.

“Are you disappointed?” I ask him.

He doesn’t respond immediately, but instead, he places his hands flat against the swinging bathroom door. The polished wood glows with a vibrant, undulating energy, until the crease between the door frame and the wood no longer exists. He’s created a containment field of sorts. By sealing off this room from the real world, he’s made it a theatre for the macabre. He pulls a thin fragment of white chalk from his blazer pocket and kneels to the travertine.

I watch him sketch a makeshift circle of summoning, but I stand purposely on its circumference, blocking it from being completed in its entirety.

“Move.” He says.

“Tell me how. I’m not here to turn you over to them. I won’t kill you if I don’t have to.” I say. I’m bluffing. I hope he doesn’t know it.

“I’m not going to ask you again.” He says.

“I’m not leaving without answers.” I tell him.

The next moment , I see a cold, crimson colored glow erupt around his hands, and my body and mind are incapable of processing the nature of his attack. I feel a shockwave of impact on my chest and forehead.

I feel like the back of my head has melted away from a voltage of death magic, and my blood and brains are leaking out of it. There’s a hard surface against my head. I moan and feel a hot rush of coppery wetness in my mouth. I finally realize that I’m on the floor, sprawled out like a corpse.

I go from standing in the middle of the bathroom to a crumpled mass of broken bones without knowing how to defend the cause of it, and I know I am outmatched.

I have no chance. My mouth is broken. I can’t speak.

I see another glow, blue this time. I feel bones mending, and flesh melting against flesh, coming together. I feel every scrape of my body’s parts against each other. The pain is immense. Worse than anything I’ve felt in my life.

I don’t even realize how shattered my body is until he puts it back together in reverse order, when I feel my bones break and re-break to accommodate each other until the spell is complete. When the incantation is over, I gasp inside the circle of chalk, and I want to beg him for mercy, but that would be a mistake. A fatal one.

Although my body feels whole again, he has me contained within the summoning circle, enchained by the an impromptu force of binding. I can’t move anything except my lips. I have a voice again.
Although he is directly responsible for my affliction, I manage to whisper a “Thank you,” for mending the damage. He ignores me and lowers the frigid stone to my forehead. In his other hand is a blood stained kris.

I feel the edge of the snaking, curved blade bite downward in to my wrist. He’s draining some of my blood.

I feel the hold on me weaken considerably when he waves his hand over my face. He is being somewhat merciful.

“Marbh kala.” He says. I know that hissing tongue. The old language. I find myself amazed that he knows the words, as I have learned them from my father and the tomes of the coven.

My body begins to levitate in to the air, and blood flows freely from my wrist like a crimson waterfall. It collects in a pool below me at the center of the circle. He slashes my other wrist, and my carotid as well. I’m draining at a rate that tells me I won’t survive.

She appears in what seems to be no time at all, but I’m unable to trust my own senses, as delirium is seizing them for its own agenda, one by one. I can’t focus any longer. I hear her voice, and then his. I think he has summoned her from the dinner table in to the restroom to cover his bases. She doesn’t know what’s happening. She’s losing her mind by the second, when she was on a perfectly normal date only moments ago.

I hear a loud “NO,” and a throaty, wet gargle. He suspends her body in the air beside my own, and then he starts a chant. I think she’s already dead.

The hissing accelerates in to a flood of syllables and archaic sounding phrases that I wouldn’t understand even if I was completely awake and aware. He speaks it more fluently than my father ever has.

As I watch her blood spill in to the lake on the floor, joining my own, I realize that this man is beyond anything we’ve ever done or accomplished. He makes me think that real power is found within the self, within a single identity of self-discovery and learning, and not within a circle of conceited death magi who have clung to the same spells and traditions that have limited their progress for centuries.

Her eyes are empty, blank seas of hazel. As he waits for her to stop bleeding out, I realize that I have stopped bleeding myself, and shouldn’t be alive. He’s keeping me breathing when my veins are as dry as death valley, and again, he shows me something that I did not think possible. I am content to float and observe, and I realize that even if these are my last moments, I don’t deserve them. I don’t deserve any of the dark gifts that he has put so prominently on display before me in this private niche of the nether realm.

I breathe, and there is no air. I don’t need to breathe. I am alive in my deadness, augmented in a stasis of a ritual that I have never witnessed before. His objective is beyond me. I can only observe.
He stops chanting. The spell is complete.

The blood on the floor seems to hum with a possessed life of its own as it separates. Eventually, two puddles of scarlet rest at either border of the circle, and one hums with an emerald taint to it. I can feel traces of it in my mind. It is foreign. The glowing blood is not my blood. It is hers.

The pool begins to rise, like a spire of flowing vitae, commanded by the necropotence of a true master. It takes on a savage, beastial outline, but it is not an animal that exists on the earth. It is some screeching demon spirit, summoned to exist within a temporary liquid body.

“ARDMHAISTIR.” The blood creature speaks. The thick, rich burden of Gaelic pulls down the words. He has trained demons to speak in words created by the human mind, and I only await the next event in which he will impress the depth of his power upon me. I am watching, and I think the word he has spoken means “thank you,” or “master,” but I’m not sure.

“Glac eisean.” He says. I know what these words mean. My father said these words to the spirit of my mother when I was stalled in her womb.

I was lodged head first. The cause of her pain, suffering, and eventual death at the violent hands of child birth. Before she could be swept away in to the nether, he summoned her spirit.

He asked her how he could go on without her love to keep him tethered to a mortal life. She held one response. Glac eisean.

Take him.

I was meant to die like a human being, but I was a son of one who lords over death like it is their personal playground. That makes him a diabolical father, and an excellent necromancer.

The demon blood figure obeys his command.

It hovers through the air slowly, like an eel of liquid, until it splits off in to three lesser streams. It halts at my open wrists and my slashed throat, and then it rockets through my veins with the authority of the one who holds the circle.

The return of blood to my body and the completion of the ritual bring me strength. When my hands and head stop twitching, I find that I can move my arms and legs. I sweep my legs over the precipice of the circle and step to the floor of the bathroom on feet, as if getting out of a bed of air.

“What did you do to me?” I ask him. The answer is something that scares me, but it is also something that I have to know.

“The youth ritual, without a stone. Now you see the type of sacrifice that you require. Each time, every drop must be replaced. A new soul. The most expensive and taxing necromantic ritual of them all, except for one.” He says.

I turn my head to look in to the mirror, and indeed, my face is as young as his own. I am no longer in my late thirties, but twenty something again.

“I’ve tried so many times. Even with the bloodstone. I am nothing, compared to you.” I tell him.

“One day, I thought someone might show up and show me that stone. I had no idea it would be a member of that old man’s family. I never knew there were others. It was only a challenge. My life was once so simple, so mundane, so terrible that I wanted to die. How many of us are there?” He asks.

“Twenty three, including me. If they knew what I know now, they would send their best. I am nothing. They think you a fledgling, toying with powers that are beyond your control. But you have mastered death beyond anything that I have ever seen. They are no match for you.” I tell him.

“Necropotence is not studied. It is not learned. You practice it, and you sacrifice. You sacrifice, again and again and again. You will destroy so much life in the search for a method to extend it.” He tells me, and his expression is somber.

“I have been tasked with destroying you by my father. If I return to him and this task is not complete, he will kill me himself.” I say.

“Do you have more of a chance against him, or me?” He says.

“Him.” I say, and my cheeks flush scarlet. I am ashamed that the head of the coven, who is also my father, is so weak compared to this mastermind.

“Do you want to know why I wrote that diary?” He asks.

“The same reason that you left a death certificate with your memoirs of your human life. To taunt those with a sense of justice.” I tell him.

“You’re not the first to read it. There was one rogue detective that they suspended because he was cracking up, finding about some of the things I had done. He never took the stone. He tried to use the law.”

“How many years did you get out of him?” I ask.

“None. The time went to Sasha.” He says.

“Your dog? Still around?” I ask.

“Not much of a dog anymore. More like a hell hound. But yes. I’m very fond of her.” He says.

“Then why the trail, if it’s not conceit? If you feel you are not above anyone else?” I ask.

“Power. Has your father ever spoken of the Cogath dar Marbh?” He asks.

I feel sick. In this moment, I know what he desires. The legendary aspiration of any necromancer. The war of the dead.

“Please, no. Not me.” I tell him.

“I left the trail to find someone who has stood within a circle because I need two of us to complete it. I’ve waited all this time, doing nothing. You will not leave this room until you’ve completed the ritual with me.” He says.

“No. I can’t. Why would you want to unleash…” He cuts me off.

“Yes. It has to be you. Someone who has felt the touch of the nether.” He says.

“How do you know the legend?” I whisper, fear in my eyes.

“You may have spoken to the dead. Your father, too. But you have not listened to them. You haven’t asked them what they want.” He says.

“We don’t serve them. They serve us.” I tell him, but I know my words will be hollow and empty when they sink in to his brain. The tone in his voice terrifies me. He seems so drunk with power.

“The dead have given me the gift of eternity, and I have commanded them for long enough. It is time to give them what they desire.” He says. His eyes are on fire like a madman, and I know I can’t stop him. He’s so god damn ambitious that he’ll stop at nothing to bring the dead back to earth.

“You are already the most powerful lord of the dead. Why submit yourself to the cogath? You don’t need the power. You are uncontested.” I say, but then I think of my father and his blind conceit, and I think that this man will certainly be the death of my old man, and relatively soon.

“You don’t understand, little Chomhairle. They’ve told me ever since I first saw them in my attic that I was their man. That I would bring them back to roam the world, like the loyal subjects that they are. That I would become a lich — a living embodiment of power, merged with death. Do you know how long I’ve waited? It’s not about me anymore. It’s about them.” He says, licking his lips and snapping his fingers together. I can’t move. My legs are stone.

“You need two. You thought you were the only necromancer alive on earth, so you left the stone. To see if someone would dabble in the art and become a novice, so you could sacrifice them in the ritual.” It all makes sense to me now. It’s not his ego. It’s not the power.

He only wants to complete the one ritual that has never been completed. Cogath dar Marbh.
The shackles blast out of the bathroom floor, sending fragments of travertine shrapnel around the room. Wet, tightened strands of pulsing, veiny matter coil around my wrists and ankles. They’re like blood vessel tentacles, trying to drag me in to the black pit under us that they sprang from.

His face is changing. The walls of this room have melted away. We are in a tempest of the nether. Under lightning strikes and hissing shades, I see the bones in his visage. I see the human-turned-demon for what he really is, and despite the terror that amounts within me, I am awestricken. The bones in his face, illuminated snowy and pale by arcs of lightning —- they are beautiful to me. I want to become what he is now, standing in front of me.

He rakes the kris across his chest violently, shedding blood on to an island of dead rock where we stand, suspended in the nether.

His necropotence is too strong for the demon to resist. It obeys him, a gargantuan mass of black flame and swirling, gaseous chaos. The voice booms in my ears, sounding nothing of the earth or any spirit I have spoken with in my lifetime.

Here, on the home turf of the dead, they are not forced to communicate with us in our manmade languages and tongues. We hear them, and we understand.

He tells the demon that we are about to be at war, and to deliver a message to the spirits to gather at the soft places.

For their invasion.

Before he departs, the demon tells him that he can’t complete the ritual without two necromancers.

He grows angry, and points at me.

The demon shakes its head and fades away in to nothingness. He screams with rage, drawing the kris once more. He sends another shockwave of green force, knocking me to the ground, although it doesn’t break my bones this time. The curved blade is vicious against my throat.

“ONE OF THEM!? ONE OF FUCKING THEM!?” He repeats it over and over, delirious, slashing at my hands and forearms as I try to stop the point of the weapon from sinking in to my eye.

“Please, stop. What are you…” I stammer. The blade is so sharp, so painful.

“You were dead three months before you came from her womb. Your father performed a ritual and gave you the breath of the spirit before you were ever born. When you came in to the world, barely breathing, a shriveled fetus corpse, he bargained with the underworld. They took your mother’s life instead of yours.” He says.

And then I realize it. I realize that I’m not human, and that I have never held power over this man, or any other.

I realize that I am of the dead, and his indomitable power over me stems from the precise fact that he is a necromancer.

I laugh at him.

When he finally gathers himself, I realize that he stares at me with a sort of longing, and I know that he respects me, as I am a dead spirit with a human body.

I will be part of his kingdom on the earth. I will stop at nothing to fulfill his dreams.

His clenches his fist tightly, and in the middle of this summoning circle, he slowly reconstructs the bathroom until everything is back in place and the seal on the door is broken.

He restores me to what I was before I walked in to this sanctum of eternity, except that I am now a twenty something spirit, walking among the patrons of the restaurant, a chameleon of the underworld.
When we hit the sidewalk, the night air is luscious and graceful with my skin. The point of the blade in my back is not.

“Take me to your father.” He says.

And I begin walking. Eventually, a feral and twisted animal joins us, with eyes like hellfire. Sasha.

Held hostage by the greatest praetor of Hades and his pet, I quicken my step, and I know the war of the dead has been stalled for one more evening. I also know his patience is infinite.

It is my war now, although I am only a foot soldier of the lost. I will not rest until the murderer who traded my miserable life for my mother’s receives justice. Then, I will find the other twenty two of them, and punish them for being weak, if he doesn’t do it first.

For I was dead before I was brought in to the world, and that means he is not my father. Only a manipulator of spirits. I am now with the one.

One who serves me and the rest of his kingdom ever so faithfully. A warlord of skeletons, cadavers, blood, and bone. A bringer of salvation, with enough necropotence to bring our dreams to fruition.
I am with my true master now, and he will never cease his efforts.

Not until the last of the living are gone from the face of the earth.

By: Violent Harvest (Sequel to Necropotence)

Saturday, April 20, 2013

Nice to Meet You



Hello.

Its nice to finally meet you. Finally? Oh, its uhh.. I’m just overjoyed to have someone to talk to. Oh, I cannot express how happy I am to have this opportunity.

Oh? Why am I so happy? Its really quite simple. The last few years of my life have been torturous. I mean, god… Oh thats a funny saying. God. No loving god would let any of his children go through what I have. But now I have someone to talk to. Oh glorious day!

Oh where to begin? I think it was a day much like this one. I went to the library with some friends to find something to do over the upcoming weekend. We got there just before the library opened and found an hourglass on the stairs. Real ornate looking. Gold encrusted and whatnot. We were pretty bored, so we turned it over, set it down, and got to talking. Few minutes later, the librarian shows up. As it turns out, he showed up at the same instant the last grains of sand ran out of the top chamber.

We didnt find anything at the library, but did have a new hourglass. We spent the rest of the day just hanging out at my place. We talked, enjoying the entertainment the media provides. We figured out the hourglass lasted about forty-five minutes. I cant remember when we did this, but thats about how long. Before it got dark, we went to go for a walk. Nice, leisurely stroll. I remember turning the hourglass over before we left. I mean, not intentionally. We were just playing with it, and I put it down, sand on top. We left. 4.30

One of my friends asked me the time. I remember glancing down to my watch. I was about to say 5.15, but then I heard the screeching of tires. I heard a shriek, and looked up. A car was backing away from us while another of my friends lay crumpled and bleeding in the middle of the road. His neck was clearly broken. We spent the rest of the night at the police station filling out statements. They never caught the driver. Knowing what I know now, I doubt there ever was a driver. Just some car.

We were sitting in my place a week later, absently fiddling with the hourglass. We set it down and forgot about it, talking about our lost friend. It was forty five minutes later when it happened. Exactly forty five. The other of my friends began to gasp for breath, holding his chest. CPR did not work, nothing did. He died of a heart attack. At our age. Ridiculous.

The other guy in the room that day was also with us on the walk. We havent talked since. I was sitting in solitude, head in my hands, grieving over my friends. It was then I realized that they had both died forty five minutes after the hourglass was turned. I wanted to be rid of the cursed object. I wanted so deperately to be rid of it, I did not consider what was to happen. I went and left it on the library steps again. I went back the next day, and it was gone. I would never see it again.

But things kept happening. Seemingly random, but I could only assume that the new owner was turning it over. Life was going terrible. The girlfriend I had made dumped me for another man. My friends trickled away. Oh but I was never alone. I would hear whispers. Laughing. Footsteps. Yes. Footsteps walking across the room I was in, and I could see nothing. It was so unnerving.

For awhile, it was only in the dark. But then, it started in the day too. Wherever I went, I head this laughing, mocking me from a place I could not see. I suppose if it had stopped there, I would have been fine. It didn’t.

I awoke one night the the smell of death. I also could not move. I became aware of a breathing sound mere inches from my face. It began to whisper. I could not understand it. I tried to sit up, but I felt a searing pain as something unseen tore into my chest. It ripped something out. I’m still living now, but the scars are there.
Always and forever. I remember what happened after, too. I felt the air rush against my face, and heard the flap of leathery wings. I heard them fly out my door, and then a crash. When I regained my ability to move, I ran to where I heard the sound, and found a broken window.

I live with them every day. I hear whispers, laughs, taunting me. I try to block them out, but then I feel cold fingers wrap around me, and feel myself inexplicably led towards danger. This is why I can only be in crowded places. Someone to pull me away. Break the grip of whatever has got a hold of me.

I’ve moved around a lot. But they followed me. I knew it was pointless, so I gave up. I moved back here, to the place I lived years ago. Then, I saw you. I knew I had to talk to you. You were special. And during our conversation, I figured out why.

Nice to meet you. I’m you.

By: TheCoffinDancer.

A Ghost Story


I was an American male on the loose in Belgium in the late 80’s. The tiny village I lived in was called Cambron-Casteau and was only a few kilometers north of the French Frontier. The town was truly nondescript and an ancient abbey remained the only interesting feature it possessed. The abbey’s remains stood on fifty acres of land just beyond the town with a great house, a tower, forests, lakes and catacombs! The latter caught my attention as soon as I learned of them. I investigated the tunnels both historically and physically. Originally, it seems monks in the late 1500’s connected the abbey to the church in nearby town of Lens with underground tunnels, and may even have gone as far as Mons.

This is no small feat as Mons rests twenty kilometers from the abbey and Cambron-Casteau. It then appears that Hitler could not leave something like an underground tunnel alone and had it walled up during Belgium’s occupation because too many of his soldiers got lost trying to chase out the resistance fighters. There was evidence of this down some of the underground corridors where a newer wall ended all forward advances or a room was filled floor to ceiling with a pile of rocks. Despite the diminished area of the tunnels they still held my attention and I soon knew every available inch. When I was not in the catacombs I was walking through the abbey’s forests or around the lakes till the late afternoons. It was on one of these lazy Sunday walks that my life changed… forever.

Call me paranoid if you wish, but the late 80’s in Europe was no time for an American to walk around alone. It seems the Nazi Party was not quite as dead as we had been lead to believe and chance encounters with young skinheads became a very real possibility and a very real danger as well. For this reason, I took to carrying a certain semi-automatic friend of mine under my coat on my left side to give a would-be assailant .45 reasons to rethink his position. I will not discuss my occupation at the time, or why I could get away with this, suffice to say that I could, and leave it at that.

I was walking around the largest of the abbey’s lakes late on a Sunday afternoon when I saw a woman about two hundred meters from me near one of the entrances to the tunnels. I could tell she wore a dress, but she had some kind of cloak over it hiding any details of the garment. I did noticed her figure, but few other details. There was no obvious evidence that she was in distress or needed assistance, it was just a feeling I got as I walked toward her, and she moved toward the catacomb door. Reflexively I adjusted the comforting chunk of finely milled steel under my left arm, reassuring myself it was still there even though I knew it was. By the time I reached the door to the tunnels she had disappeared inside with only one glance back at me as I approached.

The late afternoon sun was casting many long shadows and I was too far away to see her face clearly, save for her eyes. Her eyes simultaneously bothered me and drew me to her. Loose stones crunched underfoot as I left the paved trail for the gravel road to the catacomb entrance. I did not notice at the time, but she had made no noise on the gravel. My approach to the door had been from the side and I did not actually see her open the door to go in. When I reached the door I had to grasp and engage the metallic thumb latch and swing the door wide on rusty hinges.

It never entered my conscious mind that I hadn’t heard the hinges when she went in, but my subconscious was pulling double duty trying to keep me alive by taking over my right arm and moving my hand to the butt of the heavy Colt 1911A1 in my shoulder rig. I had been in these tunnels often enough to know where I was. The entryway beyond the door had two exits. The one on my right led to the greatest area of tunnels. The exit in front of me was little more than a rubble-covered stairway that branched to two separate short passageways that both dead-ended. As I paused for my eyes to adjust I heard a faint indeterminate sound from the direction in front of me. My eyes had not yet righted themselves, but I moved forward anyway… I knew these tunnels… she may need me!

As I moved my eyes cleared and I noticed a feint glow like a match up a tunnel that I knew stopped at some of the Fuhrer’s masonry. When I rounded the last bend I saw her. She had her back to me and she starred at the wall. Her hair was long and straight and the deepest raven black. Her curves were not the kind to get lost in a crowd either. As I stood there memorizing every inch of her she began to turn to me. Her face was a mask of death! There were no eyes in the sockets of her dried skull as she looked at me. There was no skin on the bones of her hands as she raised them toward me. What happened next I pieced together later. My instinctual reaction was to bring up the gun in a perfect weaver stance and dump the entire clip into… it. I also started to back away at the same time and fell.

This must have been what I had done, for when I came to my senses I was laying on my back in the pitch dark. I fished a Zippo out of my pocket and surveyed the area. I found no woman, no blood, no appreciable time had passed according to my watch, no rational reason that I could see before and now it was dark, and no real desire to stay in the tunnels one second longer. I quit the catacombs before anyone came to investigate the shots and hurried home. At home I discovered some unnerving facts. I had cut my head when I fell. When I washed the blood out of my hair, I found the most startling gray streak over both of my temples that had not been there mere hours earlier. I really wanted this to just be some kind of horrible dream, but the more time passed; the more I began to remember. This seemed totally opposite to a normal dream that one would usually forget by the end of the morning coffee. This dream was getting more vivid as time passed.

I remembered a sharp pain in my gut and coughing or… no… choking! Yes, that was it… Choking! I was gasping for air! I could not breathe and my poor, sweet little girl, the child I clutched in my arms, dead… My husband… my husband had been taken away and must surely be dead also. My…

WHAT!?!?!?

I nearly fell. What was I thinking? I did not have a child, much less a husband?! Then I saw her. She was standing right next to me… in my own house! She was not the skeleton she had been, her smooth skin was the palest white and now looked as it must have… in life. A little shorter than me, jet black hair, even in death she was beautiful. She was pulling her hand back as if she had been touching my shoulder.

I understand now. The SS must have caught her and other resistance fighters in the tunnels when they walled them up. All she wants is a decent burial. This is not too much to ask. I’m leaving now with a pick and a shovel to do the right thing. The labyrinth beyond the walls is unmapped. I do not know where she died. I only hope she stays around long enough to lead me back out of the tunnels when my work for her is done. If she does not, however, I leave this testament to any who come looking for me that they may at least have a clue as to where my body may lay…

By: SFC_HeadShot.

Sunday, April 14, 2013

Seriously?


A man and woman walked out of the bank, hand in hand. This might be a normal thing for anyone, maybe even you. But not for her.

The man made a typical, throwaway remark about their lunch plans. Under usual circumstances, this would just be interpreted as a feeble attempt to incite lightheartedness into the conversation. But not for her.

With a quick, agile movement, the woman, his wife, picked up a slab of concrete by the sidewalk and, with great aim, hit two doves perched on a low-hanging branch. They fell, like two pathetic white balloons. As soon as they hit the ground, his wife beat them to a pulp-she could see that they were still breathing. And her husband knew that he fucked up again.

Some passerby began to stare openly at the horrible sight of two bashed birds.

“Linda!” Her husband yelled. “Stop it!”

“I thought we were going to kill two birds with one stone?” She replied, in a voice of unnatural calm. Her face gazed up at him from the ground, stoic and rigid, like some dread mask.

…………………………………………………………………………………………..

She had a certain….well, mental illness is a bit of a euphemism. Let’s just say she had a disability. A serious and rare one. Linda could not understand the difference between jokes and imperatives. She took every figure of speech she heard seriously, and was often compelled to make whatever it was into an actuality. Her husband recalled, one point, when she nearly pushed him out the window, when, in light of the recent resignation of his business partner, he remarked that he was in fact flying solo. Linda wasn’t always dangerous, though. Sometimes, he’d go home only to find her giggling like a little girl at the sight of milk on the floor. Or maybe even staring out windows during rainy evenings to see whether any cats and/or dogs were to be found falling from the sky. But then came the times when she would get harmful. Only last month, the pediatrician living in the apartment next to theirs got pelted with apples and other fruits. Poor woman nearly tripped down the stairs. This other time, an event which still scared him up to now, she shoved in his hands a bit of her bloody scalp, saying it was a piece of her mind. She had to wear a bonnet whenever she had to get out of the house after that. In spite of all this strange and violent behavior, he still loved his wife very much and could not bear to send her away to a mental hospital.

His mistake.

He became very careful around what she would see or hear coming from anybody since the episode with the birds. Much to his joy, a year and a half passed without much incident, and their firstborn child was soon to come. It was good, since the coming of a baby took their minds off whatever financial problems they had.

He was away when it happened. After he heard that child was born, he rushed back home.

As soon as he stepped through that door, he knew something was wrong. His wife was calling him from the kitchen. In her arms was the son he could never know.

In the light of their kitchen, lain on the table, were the remains of the baby, their baby. Its mouth was stretched open to such a degree that it split open, the underside of its jaws seen. It reminded him of a tear in cloth, the seams not made of fabric but of flesh. What little blood the baby had to spare was everywhere. In response to his child’s grotesquely expanded mouth, his father’s jaw fell open in surprise and terror and disgust, threatening to do the same. A scream tried to come out, but it did not.

Forcibly thrust into the gaping hole that was a baby’s mouth, was his wife’s forearm. She seemed to be trying to claw something out of the-

As soon as his wife spotted him, she turned in his direction, bloody baby still stuck on her arm.

“You have to help me! The doctor said he was born with a silver spoon in his mouth!”

Credited to Truncheon

Friday, April 12, 2013

Ichor Falls Local Legends


The Stitched Man.

This legend seems to be based on the story of William Harker. Harker was one of the first settlers of the Ichor Falls valley, and a master tailor whose work was known throughout Delaware. Richard Bayard, mayor of Wilmington, DE, was noted to have ordered three suits from Harker in 1836, saying “The man could stitch anything.”

In 1840 a cooking fire started in Harker’s home, tragically killing his wife and infant son, and seriously injuring him. Allegedly, Harker overheard doctors saying that they would not be able to heal his burns, and when they returned to his bedside, Harker called for his sewing kit.

Harker died four days later, and the legend began shortly after — first as a tribute to the master tailor, that he had been able to stitch himself back to health, and went to search for his wife and child to “repair” them too. But the legend became more and more perverse over the generations, with the common lore being that the Stitched Man now sought replacements for his dead family, and that if he claimed you, you would wake up one night with Harker’s ragged, sewn-up corpse laboring over you with a needle and thread, your lips stitched together, with the only sound that of Harker’s softly beating cloth heart.

--:--

Totenkinder.

A German mistranslation of, literally, “dead children.” The holiday did not begin as a holiday, but an observance of the 1813 schoolhouse collapse, in which 12 Amish students died along with their teacher. Many settlers believed the collapse to be an omen of God’s displeasure with the settlement, and that Ichor Falls trespassed on hallowed ground. That year, every stick of lumber for building construction was torched, to purge the town of evil.

Decades later, schoolchildren participated in Totenkinder by building small model houses, placing a beloved toy inside, and lighting it on fire. If the house refused to catch fire (as often happens in Ichor Falls due to the humidity), the house was made by a good little boy or girl. If it did burn, the boy or girl was considered sinful.

In 1908, a little girl was badly hurt when her toy house caught her dress on fire. At this point the town treated Totenkinder as silly tradition and superstition, and not a real determination of good and evil. Nonetheless, because it was dangerous to children, Totenkinder was largely abandoned.

--:--

The Stillwood.


Because of its uneven ground, oddly tilted treeline and three very similarly curved creeks (flowing from the Erytheia), it’s easy for the inexperienced to get lost in Stillwood Forest southwest of Ichor Falls. One gets the sensation of walking in circles — especially when one encounters what looks like the same small creek several times.

In 1806, one of Edwin Cuthbert’s original party chased a deer into the Stillwood, and wound up lost for two days. When he finally returned, dehydrated and starving almost to the point of death, he insisted that he had been gone for nine days — even going so far as to show diary entries he had made with the rise and fall of the sun.

Although there was no other evidence to support strange goings-on other than a host of tall tales involving secret villages and mythical creatures, settlers avoided the Stillwood for generations. Even when mass logging began in the 1870s, the Stillwood was spared. It remains the oldest growth of all surrounding forests, although much of the other treeline has returned to Ichor Falls today, due to the halting of the logging trade and town evacuation in the late 1940s.

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