Showing posts with label Horror Museum Saga. Show all posts
Showing posts with label Horror Museum Saga. Show all posts

Friday, January 7, 2022

The Horrifying Private Museum for the Rich and Famous: Mariette (Part 1)

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Chapter 1: Where the Mantis Flies

A while past the woods at the edge of town is a demon made of marble and stone. She has no tongue; she has no face. That was because the demon of the little town of Wilkins was a museum, and in the Summer of 1987, she was calling to me.

During my stay as a teacher at River Valley Elementary, a time that the place beyond the woods was yet to be named, I was oblivious to the shadow she cast over our small town. And back then, the museum was only spoken of quietly, if at all, cast only into the wind by wet lips carrying playground rumors, never to be heard of again until months later when the mantises would take flight around town, or when somebody went missing.

I didn’t believe in the living, breathing flavor of demons, at least I didn’t back then. I believed in the demons inside of my father’s whiskey bottle, the demons that poured out and burned at his throat, those that swelled into his fist and bloomed. Those that merely showed a glimpse of their painful, plum-colored skin upon my mother’s eyes and cheeks before cowering away into the glass genie lamp from whence they came. I remembered those demons, and once my father had passed away, once I caved to their whispering pestilence and drank from the lamp just as he once did, they too soon remembered me.

My father wasn’t all bad, though, God-don’t-bless-his-soul. He was always an angel to my sister and I, his two star girls, if he could never treat mother the same. You could never be a princess, he would say, despite my protesting six-year-old pout. You will be a queen.

And when he spoke, his smile and giggle made me forget about what he did to mother, and the genies in his desk drawer and upon his shelf.

I guess we share those two burdens: A full-hearted compassion for the whiskey bottle, and for children.

Though, I could never have my own, of course, the world was too broken for that, too untrustworthy.

My students and nephews were my children.

I was at my sister’s place visiting them when I told her I was being transferred to Wilkins to teach. And well, it didn’t take things long to fire up.

“It’s not just that, Mariette, it’s everything, the men, the constant moving around, you’re a rolling stone. You’re right - you should ground yourself, have some of your own.” She said.

We argued for a while, as we so often did, but this time was different. She told me that I was getting older, that the big three-zero was in my rear-view mirror. I told her that she had a pompous stick-up-her-ass. You know, the usual sibling bitter bicker. But her words left me sour once she said:

“Fine! Keep moving around like a goddamn gypsy, I don’t care. Just don’t come crying to me once you’re all woozy one day and smack a kid. Like father, like daughter.” She mocked.

“You and I both know he never hit us.” I said.

“Well guess what, he still,” She paused to mouth her words as she spoke. “...cked us up.” Her eyes narrowed upon her pointy nose then to her cup. “Some more than others.”

My sister never swore.

I did.

“Say it then, Jan.” I exclaimed. “Say he fucked us up.”

But, of course, she never said it.

Some doors remain closed. And when I stormed out, the slam never truly stopped ringing in my ears. The door would remain closed for a while, for years, and my sister and I would speak no longer.

But the sound of my sister’s front door closing behind me would carry on: It was the air blustering through my windows, the hum of my engine, the call of crows as they made way for my bumper. And when I finally came driving through Wilkins inhaling my so desired breath of fresh air, all alone, I knew things would be different, that I would sober up, that the ringing reminder of my newly severed relationship with my sister would spark a change in me.

Things were different here - the pines were unfamiliar: towering, green and lush; the glistening roadside waters a crystal blue. Roads curved and bumped as I drove - a beauty that felt absent upon the flat urban grayscale ruins of my hometown.

But if I told you the most unusual thing about Wilkins were the mantids, you wouldn’t have believed me then. Nobody quite did - not even myself, until it was far too late.

It started off innocently enough, as it always did. As I made Wilkins my new home, the lime-colored bug which had shakily climbed my dashboard in the corner of my eye soon became the pest on my shower window. The mantises were everywhere by then: one late afternoon a couple danced upon my whiteboard, my pant leg. Soon enough days wouldn’t go by before I saw one, but as I dipped my feet further in the belly of the place I called my new home, the insects that pestered me would soon be unremembered - I had kids to teach, meetings and plays to attend. After all, they were just insects. Or so I should have hoped.

Distractions in this town soon came to me as easily as puddles in rain; the distractions blossomed into routine; the routine to lifestyle.

Of course, Laurence was the first. And a handsome, chiseled one, at that. For our first date night that Summer of ‘84 we spent the night curled under a movie projector that told stories of a cyborg hitman sent back in time, or something like that. I didn’t really know - it was silly, I spent most of the time then against his chest, inebriated by warm cologne. That, or love.

And when I tippy toed up to kiss him that humid night in Wilkins, I felt roots taking place through my feet, grounding me. The pines left fresh menthol upon my nose as I inhaled upon his stubble; our lips meeting under the NOW SHOWING sign of the cinema front.

At that moment I felt truly at home. Nothing could record-scratch that feeling then, not even spotting the mantis that crawled up Laurence’s neck in the evening moonlight.

▁▁▁▁▁▁▁▁▁▁

When August came around, I had been living in Wilkins for two months. Laurence and I still slinked through the hallways of River Valley Elementary between chaste romantic physicality, but the only strands of evidence we left were smirks upon each other's faces as we crossed paths outside the staff room.

I think our fling was lost on all the adults, save for Serena. She was a pretty substitute teacher from Italy on a sponsored trip and boy did she have time to pay attention when she was only marking half the number of reports as the usual staff. She paid too much attention. Other than her, I think it was only the kids that knew. But as if cowering from a monster, the children would avert their eyes from us, as did we. We didn’t want to be seen; they didn’t want to be caught looking. The only time I didn’t catch them giggling under hand-covered whispers was when we were outside, their minds busy on the slide or monkey bars.

Some of the other teachers dreaded the windy playground duty away from their quiet lunchroom haven, but I absolutely adored it. Maybe it was because the yelling kids were yet to wear on me, but I think I just hated the smell of stale coffee breath. I could deal with my hair that blew over my face as a brunette cobweb, as long as it meant some fresh air.

Happy sounds were out there. Not the dismal hum of the microwave spinning inside, nor the drone of the fax machine scanning page after page. Outside there were children playing, birds singing, wind whirling in my ears and lastly: the sound of cling wrap peeling away from my lunch that had me drooling like a Pavlovian dog.

I was sitting on a bench watching the playground when I first heard about what was through Wilkins woods.

A student of mine, Jimmy, approached me in a rush flinging bits of dust from the bark beneath his feet. “Whatta’ ya eating?” He pointed to my sandwich.

Jim was one of those well-mannered, googly-eyed kids. He looked like the boy from that movie about a mouse called Stuart, though I didn’t know it at the time because the film wouldn’t be out for decades to come.

He was staring at me with big blue eyes that looked even bigger through his glossy, high magnification spectacles. I had never seen someone take that much interest in my lunch before. Kids were lovely.

“Donny didn’t come to class today, Miss Brown.” He said with his heavy head staring at the ground.

“Oh that’s the worst.” I patted the bench for him to join me.

“You know… We’re friends, Jimmy. You can call me Mariette, because we’re friends.” I flicked him a reassuring smile before a stern look. “Just don’t call me that in class. The other kids might get jealous that you're friends with me and they’re not.”

He pouted. “Okay Miss Brow- I mean, I mean, Mary-it.”

“Where is Donny, anyhow?” I asked.

He looked up at me with the biggest pair of blue lamps. “He said his mom wouldn’t take him to go see Goffic, so we were meant to go after football. But today he’s sick, so...”

“Goffic?”

“Donny says it's a great big castle through the woods. We were going to build a treehouse base, but he says this place is even bigger and even more secret.”

“Do you mean… Gothic?” I asked, making an effort not to smile.

“No, silly, that’s my sister!” He protested.

We laughed together, but only one of us knew why.

“Well then, who’s picking you up today?”

He pouted. “I can’t go now. Donny’s mom won’t pick me up from football without Donny.”

I ushered him off the bench and he planted his feet upon the bark.

“Okay, I’ll grab you from practice, say, eight?”

His smile could have lit up a candle. “Okay, eight! Wait-” He turned around. “Are you sure you’re not going to be busy with your... boyfriend?”

I screwed up my red face before I shooed him. “Go play, go play!” My voice followed him as he jogged off into the playground warzone. “And don’t forget!”

It didn’t take long before he was reinvigorated, hugging the flying fox for dear life as he swung across the bark. “Look, I can fly!”

Jimmy’s smart comments left a warm smile on my face well after lunchtime. Stupid, sweet kids.

▁▁▁▁▁▁▁▁▁▁

The sun set quickly that evening, as it so often did on the busy days.

But when I returned to the staff room later that night to meet with Laurence, he wasn’t himself.

His back was turned; his hands fixed upon a red pen that was scribbling away at a student’s report.

And when I approached, it was clear I had caught him by surprise; his busy fingers were not swift enough to reach up and tug his turtleneck before it was already too late.

“Mariette, I-” His words began to crawl out, then not at all.

The grape bites upon his neck had bloomed enough to speak for him. Without a whisper I knew Serena, the sun-kissed substitute slut, had pecked his skin silly.

His hand met his circle-rimmed glasses in disgrace before sliding down and brushing his stubble with the hiss of rough sandpaper. “It’s not what it looks like.” He was shaking his head.

“It never is.” I was choking up. I went to slap him too but stopped.

I stormed out when I caught sight of my fingers that were lipped with wet blobs of mascara. Like the tears that had just feathered away behind my eyes and nose, I felt a stronger tickle now, one deep in my throat and chest, a yearning for the burn of sweet vodka, or maybe bourbon.

He called after me, I think, the prick. I had already passed the corridors and lockers by then and was bathing under the low starlight in the night sky. I turned to look at him, but my breath was a trailing hazy steam, and I couldn’t hear his voice over the clacking of my heels.

Yes, the bottle would make it go away.

They would go away, the lovebites on Laurence’s neck would go away. Maybe not the color, nor the shape, but I knew after a few drinks, the bruising would go - the bruises she left on his neck that only stung at mine.

I threw myself into my car and shoved it into reverse as his fists knocked against my window.

“Mariette!”

He yelled after me, but before long I had disappeared into the night.

The highway, my vision: a lengthy tunnel where time felt absent, Mariette - the new woman I had become so reacquainted with the last couple of months was absent. I was somebody else then, somebody I thought I had left behind.

The faces of Laurence and Serena were as vivid in my mind as the lampposts of the freeway that strobed in my periphery as I sped on endlessly. As far as I was concerned, only one solution could douse their stinging eyes from my head, and it was seductively bottled right at the end of the tunnel.

Most bars wouldn’t take me in. It must have been the look on my face, an expression that bartenders have grown accustomed to, one that was plastered with the desire to lose all sense of self. I don’t blame them for not wanting to deal with that on a Tuesday evening.

And for so long I drove through my relapsing tunnel of pity, stopping only to gawk at any glowing neon OPEN signs that would pour for me. Any drink would have done.

Where I ended up that night was far from being in a full pub. Alone in my car parked atop Makeout Hill I watched the Wilkins nightscape from up above, my feet brushing against beer cans, my chest cradling an open bourbon bottle to catch loose tears.

Maybe I should have stopped at a payphone to call him. No, I wasn’t one of those women. One time was too many times, Laurence. He had his chance with me. He lost me.

I brushed away my messy hair before wrapping my hands upon the rubber of my steering wheel.

And that was when my stomach sank to my feet.

“Oh God..”

My bourbon bottle slipped out of my grip and caught on my lap.

“I forgot about Jimmy.”

▁▁▁▁▁▁▁▁▁▁

I came skidding around to the football field at half-past ten; my headlights painting the bumpy neglected concrete of the lot.

The rip of my handbrake, the cans falling out of my car that toppled onto the ground with an empty clang: ringing reminders of my sister’s voice, telling me that I hadn’t changed, that I could never change.

And tumbling myself out of the sedan then, staring up at the flickering floodlights of the football field in a dizzy haze, I think I might have believed her.

“Jimmy!” I called. “I’m sorry!”

My head thumped with each shaking reverb of my yell. Not a headache, no, way too early for that of course. But a crack opening in the dizziness, a trickle, an omen of a sharp pounding that would flood through come morning.

But as I scanned the blurry field, I couldn’t see anything but well-kept grass under the cold flashing lights towering above. No quiet nor distant voice, only the crickets’ lullaby and the clacking of my drunken unpredictable heels.

It didn’t take too much searching until I saw it, however. In my periphery I had caught sight of Jimmy’s red school bag which was hanging from a low branch a few metres away from where my car had parked up, and my stomach twisted.

Walking was hard enough on two sticks, let alone drunk. And so, I tore my pesky stilettos from my feet and chucked them through my car window.

Reaching into my dash I grabbed a heavy torch, and before long I was off trotting through the thick brush.

Traversing the forest was difficult. Roots bruised my feet, thorns and branches cut away at my arms and legs.

Any burning terror was dampened by the drink: The only spotlight I had for vision wasn’t as scary as it would have been sober. When I came jogging down banks, as long as the bourbon coughed up a whistle or a singsong from my lips as I went, nothing could stop me. But it wasn’t my safety I was concerned about, it was Jimmy’s.

My voice was weak from calling out; my feet were sore from the couple miles I had walked. Luckily, the mouth of the forest finally gave way for a small clearing and a lake; my awkward steps less so after being blessed by the soft grass ahead of me. I had soon forgotten about the irritating roots and bark that had prodded through my socks moments prior.

If I looked carefully enough - if I squinted past the two moons which sat in the sky and danced upon the lake - I could make out her body.

She was vast and ornate like a gothic castle, or a mansion from a fever dream. A hundred paces away the thing beyond the woods sat quaintly, many tiny windows adorning a hollow dark-brick face. Beneath: a pair of doors that beckoned me forth. I think it might have been Jimmy that had beckoned me forth.

Around the body of water I went, and I was off again.

With every step closer the grass seemed to part with a louder whistle in the quiet night; the soft stars upon the windows reflecting different angles as I narrowed in.

When I hopped up the stairs it looked like it could swallow me whole, I was standing upon the lips of the beast. My flashlight made a blunt click as it cupped the window beside the door.

“Jimmy?” I yelled with a sharp pounding that left a wince on my face.

No response.

I couldn’t see much at all inside. Dark outlines of oblongs, bits of furniture and hanging racks all wrapped in white sheets. This place either wasn’t lived in or the owners wanted their furniture well kept.

Peering in, a whiff of drink-breath stuck to the glass in a fog.

I hated myself at that moment. And when I was drunk, perhaps even more so than I did Serena. That’s why I drowned myself in it that night, I suppose. I got what I wanted.

“Are you in there, Jim?”

I was going to make everything right, I had to.

My hand braced one of the front doors which left my fingers littered with dust.

It took quite some force to pry the tall doors open once I realized that the building was unlocked, and before long I was standing in awe as the doors groaned to a halt.

The grand foyer was pitch dark and adorned with glass cabinets that twinkled like stars upon a moonless midnight sky. Some cabinets were blanketed, others not, but all were littered with dust.

The cold marble drew heat from my feet easily as I stepped through the building's entrance; my voice echoing throughout the halls as I called out for Jimmy once more.

It took a while before I noticed that I was in a museum. Many boxes were still in the process of being relocated to their allocated wings.

As I passed one of the golden pillars that was wedged between the towering ceiling and the ivory floor, I heard ticking begin to pop beside me. Approaching the center stairwell, one of the display cabinets came alive: flickering fluorescent lights tapping away through a cloth veil in the darkness like a dying lighthouse beacon.

It made me leap and I took off, skidding. I tried the door once more, but it had locked itself tight.

Somewhere yonder the marble halls a silhouette stirred before calling out after me.

Security had heard my footsteps.

Around the corner I bolted, looking for any exit I could find.

I ushered through the northern wing of the museum through the door under the stairs leaving the marble floor wet in my wake. I took another left into what must have been the Earth & Nature Exhibition.

I ran past a few cabinets that were housing things that were a tad strange. At one point I glanced to my right to see iridescent child-sized beetles that danced moonlight off from their bulbous exoskeletons like aqua fairy dust. Through another glass pane further down the hall, my eye caught sight of ballooned frogs that floated effortlessly from their artificially scaled and rocky wall, right up to the strung neon glow worms hanging above. One nabbed a worm midair by the tongue and swallowed, lighting its round belly blue through a thin, membranous green abdomen on its slow descent.

For a while my fingers ran along and bumped across the textured hallway walls as I kept running, only to turn my head to read the golden placard to my left when my digits screeched against smooth, cold metal.

I looked down to read the etching inside the frame that read: SEEDS, GROWING LIFE.

They won’t find me here, I thought. I’ll wait it out.

The see-through door to the display was ajar; nothing horrifying stood out to me, but what took me aback was the sheer beauty of the room.

No museum that I knew could truly capture and emulate the wonder of that enclosure. It was gorgeous; it was walking into the mouth of a cavern.

Great stalactites and stalagmites adorned the rocky exhibit; a great gushing waterfall cascaded from one tall wall. The wall itself was coated with a luminescent mold that glowed like the worms I had just spotted, but not enough to blanket the room in a lime hue. Instead, rays of starlight trickled in through a purposely angled window near the great ceiling, bathing the wet rocks down below in a holy spotlight which was partly obscured by the hissing mist of the crashing water. The ecosystem was extensive, many green bugs sat undisturbed upon the graphite boundaries of the exhibit.

I leaped over the thin line of water that ran from the fall and onto the moist stones below, swatting gnats from my face as I went.

It was hard to hear myself think over the crashing, washing and hissing. But when I did think, I thought about how I would wait it out in this room, find Jimmy, and how we would make our way out of here.

My heart missed a few beats when I looked up. The man that had been following me down the hall was a mere silhouette in the doorframe to the exhibition. I stepped away as much as I could muster, but the wet rocks beneath were slippery, my feet were slipping from below me. The platform I was on could only stretch so far before the water was at my heels.

He was shouting at me: a loud boom underneath the violent pitter-patter of the waterfall’s bounce. The closer he walked, the less he looked like a security guard. He was outfitted with a fine maroon coat and dress pants, shined shoes and thin frame. I definitely did not know why he was pointing at my feet, either.

At first my stomach turned when he jumped down to the stone platform I was sliding on. I thought he was going to kill me; his hands were wide and frustrated as he spoke. When he was several feet away however, I began to make out some of the words he was saying. It loosened my tight chest somewhat, but it still didn’t make sense to me: Something about plants, tour guide, be here, exsanguination.

All that managed to trickle from my lips was “I’m sorry,” and “I’m looking for,”

He was in my face then, still pointing at my feet, and it definitely didn’t matter what I had to say.

“Listen,” His gaunt face looked ghastly in the moonlight. “I won’t hurt you, I’m just the museum tour guide. But please for the love of-”

He grabbed me by my shirt collar and thrusted me onto the ground with a thud.

“Get away from the plants!”

I could see it clearly then. The night sky that beamed through the clear ceiling was illuminating something after all. Great, bulbous weeds protruded through cracks of the stones below the guide and I. They climbed like wild beanstalks up around his suit pant leg, twirling around his calf.

“Oh God,” He muttered.

I didn’t yet understand what he was so afraid of, but his horrified gaunt face alone told me he didn’t have much time.

Spores filled the air, popping puffs that coughed out of the weeds as hazy green dust all at once. The man was pinching his nose; he was covering his mouth. But before long I knew it was too late, just as his expression had alerted me to, I knew the dust had already coated his tongue and throat; the spewed powder burned through his suit pant leg and lathered his skin in foul vomit-colored specs.

I felt sick. If I knew he was going to grow, I would have done something, anything. But in the end, as I watched him break and expand, I knew there was nothing I could have ever done.

My mind recalled the etched placard I had braced outside the room. SEEDS, GROWING LIFE.

The meaty leaves of the guide’s leg blossomed like a flesh-sunflower to make way for the increasingly bulging bone of his new elephant stump. Chunks of his musculature hit the wet rocks with a dull thop as he heaved around.

He cried out unavailingly. Tears ran freely down his cheek and down onto the snow-white bone below.

An acidic taste lurched at the back of my throat as I wriggled away. The man was, he was... growing.

His ribcage was next, the spores had settled in his lungs. And when those two spiny white wings finally broke free from his chest, covering me in specs of cherry-coloured paint, I wanted to shriek. But nothing ever came from my mouth, only that of a heaving gasp escaping me like I was just plunged into an icy pool.

“I’m,” I gave it my all to stop hyperventilating. I crawled towards him as he collapsed, holding his hand in the dim light that trickled in from the stars above. “I’m so sorry, I,”

There was something that made my skin crawl the most that evening: It was that after all that screaming and suffering, the way he spoke to me then was quiet and deliberate. He was no longer in the museum beside me then, he was fading away to somewhere without worry, some place new. In a final moment of peace, his eyes met mine before he uttered:

“Look after Ernie for me, will you?”

And when his eyes lost light and his head rolled, the winged bugs that were once still on the wall pried away slowly before blossoming into a buzzing green cloud.

I came bolting out of the cavern, bouncing off the wall outside in a paralyzing panic.

“Jimmy!” I shouted, my voice echoing through the long hallway of the Earth & Nature wing.

Time moved strangely within the museum’s walls. Had I been running around for five minutes, or had it been an hour? It was possible that I was simply witnessing my brain proactively erasing the memories of the things that had just happened to me. My mind was trying to save me pain from future trauma recollection, and in doing so stretched the delicately imagined threads of perceived memory-time so thin they would soon distort before fading into nothingness.

I cursed myself that I couldn’t let the faces of Lawrence and Serena fade from my mind the same way.

“If you’re in here, come out, it’s Miss Brown.” I made my way further down the hall. “I really, really want to leave, I’m scared Jimmy.”

Bars in the tall windows of the grand building cast their shadows against marble walls. They may have been innocuous at first, but with what I had witnessed that evening, any shift in the storm-grey starlight that painted the museum was enough to make my hands quake.

At the intersection between what must have been the insect exhibition hall and the museum’s greenhouse, a whining squeak beckoned me from behind.

The voice through the final door of the hallway was rasp; it was a cry. A baby in distress.

On and on the baby cried as my hand met the metal doorknob and resisted entering the room. First a whimper, then a heart wrenching scream. Staring vacantly at the placard which read BREATHING STORM, the more my mind would drift to the horrors that could wait beyond, and the less I desired to help. But in fact, the whimper was deeper, it might have been a boy’s sob, which meant it might have been Jimmy.

Still shaking, I reluctantly twisted the handle, and through the next tent of the horrifying, marble circus I ushered.

The room was near pitch, save for flashes of light that lit up the room as distant, dancing sparks. First the absence of light, then a flash, then an all-encompassing nothingness. Air inside the room was blustering and lifting my coat in a violent hurricane; cold rain pelted my skin before trickling down my nose and chin.

“Are you in here?” I screamed with a chattering jaw over the rushing wind.

From what I could see in the time during the brief illuminations, there was no Jimmy. The loud storm took my hearing, the darkness took my sight. It was one loud disorientating and wet headache and being drunk was certainly no aid. My hand slid against one of the smooth, drenched walls of the exhibition as I tried to propel my way through the forceful bluster across the room to the other exit door a few meters away.

I was halfway to the door when I felt the odd pressure from the rain against my arms. I realized the sparks I had seen were strands of lightning; I was inside of a miniature storm. And with each step closer to the door, I felt the water coming from the ceiling beginning to take shape, beginning to wrap around my wrist.

Around me: The storm began to weep - it was a cacophony of whines from an angry infant.

The rain was alive; it was breathing on me, bullying me.

I tried to block my ears, but with one hearty tug the materialized muscle of the falling water pulled me by my arm and tossed me against one drenched marble wall.

It giggled.

I attempted to break free from the windy grasp but the harder I thrusted myself forwards the further it pushed back.

The lightning that shot sporadic forks around the room briefly lit up the flooding space. From then I could see the mass of rain taking shape, forming impossible flowing appendages upon a teardrop abdomen.

You’re hyperventilating again. Breathe. Just breathe.

Above my head from the ceiling clicked a noise from a small rusty speaker, and the intercom replayed a muffled voice.

‘The basis of human hopes and dreams,’ I knew that distorted voice.

‘Emotion and memory - nothing but electricity in a pink ball of wrinkled flesh inside your skull.’

Flash.

The storm’s ghoulish jaw hung wide in the center like the eye of a hurricane, the rest of its body and appendages wavering wildly like windy willows. It chortled childishly before everything went dark again.

‘What are we, if we are not a storm?’ The voice of the dearly departed guide rang out over the harsh wind.

The grip of flowing water around my wrist was tightening, tightening.

‘At our private establishment, you will see consciousness uncaged from skin and bone.’ The speaker’s connection wavered. ‘Do not leave yourself unsupervised in this exhibit at any time during the tour. She has developed the neurons of a two year old so far, a real case of the terrible twos. But from afar, feel free to take in her wonder. Dear patron, I welcome you: The breathing storm.’

Without warning I swiped my arm across its torso. The suspended water screamed as I darted through the door; its wrist that had been so tightly locked around mine became a mere puddle on the ground as it lost shape outside the exhibit.

I slid my wet back against the Natural wing hallway and fell to the floor. For a while I pulled at my hair and watched the cold night sky and the great graphite clouds that she rolled outside the window. Hope was slowly trickling through my fingers like sand. For a short while I simply sat and watched the starlit sky and it carried me away from the museum. It must have been something in the moonlight, something the tour guide had seen when his eyes faded to void. And in that moment, I felt it too - the brief bliss. But as the smokey clouds obscured the moon, I was reminded where I was, and to press on.

My mind freely walked the museum alongside me as I traversed her enormous body. Drenched, bruised and bloody - the building had chewed me and spat me out. When I called for the boy, my voice was weaker, exhausted from screaming, bruised from the museum’s teeth.

“Jimmy,” I said. “If you’re here, please just come home.”

My tired feet slogged beneath me as I checked around every corner, leaving wet prints on the marble in my wake.

I had reached the grand, decorated foyer and climbed the tall ivory colored staircase to one floor up. I made my way past the Music and Arts Exhibition, past the flowing walls of sand that depicted paintings of The Scream. At one spot the stone floor seemed to carve away a fenced-off hole in the marble which served as a viewing area to the Oceans exhibition down below. The flowing tanks held great waves that rose and crashed within their glass barriers as the creatures inside stirred. It was absolutely terrifying to find that the museum’s staff had left the tops of the aquariums exposed.

Rain was beginning to gently spit against the great panes of the museum. I was almost sure that Jimmy might’ve still been lingering around the forest, and I worried about him catching a chill. But right before I lost faith in my efforts of trespassing, I caught sight of two red shoes down the western hallway. They were Jimmy’s sneakers - still covered in mud, they lay sprawled in the middle of the hallway, laces strewn.

I came to a running halt in the hallway a few steps from his unkempt sneakers.

To my left through the window, the graphite clouds I had watched roll in had begun to rain all over the property all the way to the trees.

There was something odd about the view, however. If I looked at the right angle, a translucent oval loomed over the distant grass. Expanding, turning to one side. Blinking.

A reflection.

I snapped my head around and bumped the glass with the back of my head with a thud.

The thing’s peach torso was elongated and splashed with sage green like a moldy, worn suede slipper.

It was standing above me then, I was close enough to see its face, close enough to see its eyes. The insect’s lamps looked as if they were features drawn on a lime balloon then inflated - blue and bulbous; about to pop upon a mucus canvas.

It buckled its head to one side of its mantid neck, then the other.

Mommy…

A deep, broken voice wrapped one much younger. It was trying to speak, but its spiny mouth was made for speech no longer. It was trying to-

Fly… Look, I can fly…

Two contorted wings that could never lift weight broke free in irregular flutters; the spreading translucent veil webbing between the frames of its wings sticking together as torn, holed curtains.

I’m not exactly sure when I knew it was Jimmy. Perhaps it was when he screamed, if you would even call them screams, but I think it was when his tortured eyes met mine, asking me to take him home, asking me why I never picked him up from practice. I think that’s when I knew.

I fell to the floor when he swiped at me; my breath cutting short when my head clicked in whiplash.

Backward I crawled, screaming, pleading: “Jimmy, it’s me,”

The smooth floor was cold through my thin shirt against my back. From down below looking up I could only watch. It crawled towards me: green feelers bracing the walls of the wide hallway, thrusting its enormous body forward like it was crawling through a tight vent.

“Please-it’s Miss Brow-”

Its foot trapped my flailing leg against the marble. Thin spines popped fire inside my calf, the texture of his flesh wet and hairy like seeping roadkill.

Only when I screamed and wriggled free to my feet did I truly feel like a rat in a maze.

I used the banister of the main stairwell to launch my way to the door in a running limp. My wounds pinched at my leg with each stride - a stabbing akin to my headache not long gone.

The foyer doors to the outside didn’t budge. From the dark platform upstairs called Jimmy’s voice interlaced with horrifying, unending flutters.

I threw my fist against a nearby window. Again and again, I hammered, each thud flashing memories of Lawrence rapping against my car window when I had sped into the night.

Cascading glass shards finally gave way to my hand, and I came toppling through onto the front steps of the gothic horror.

Tears streamed down my face before being washed away by the cleansing wipe of gentle summer rain.

The things I had seen - it felt like my heart was going to give out, sweat lathered my hands. And for a while as I clambered through the forest, I wished my heart did give out, that I hadn’t forgotten about the poor child, that I wasn’t such a big fuck-up. I wished that I could take everything back, I wished upon the dancing stars on the lake that I could be someone other than my father’s daughter.

I couldn’t decide if my gooseflesh was the result of terror or the bone-chilling breeze through the trees. All I knew was that it was a long trek made even harder by the downpour. My feet slipped over sharp rocks, branches, and roots. But before long I was at a clearing, and not long after that I could see my car that was getting pelted down on the distant road by the football field.

I threw open the door and fell into the driver’s seat. For a while I sat and listened to the pitter-patter of the rain above my head. It didn’t take me away as the moonlight had, not after what I had done. Not after I had forgotten to pick up Jimmy because I was too inebriated to remember how to be a good person.

I clawed my fingers around the rubber of the wheel with both hands and trembled.

I screamed and screamed into the night sky, though the sound didn’t come. Nor would it ever come, because I knew my throat was no longer wet with bourbon, it was tight with guilt, so tightly fastened with stomach-aching guilt.

Instead, all I heard were Jimmy’s contorted screams that bounced inside my skull like a distant, dying police siren.

I was spinning; the crash of my bourbon-filled genie lamp against the pavement could not silence his crying pleas, nor bring my absolution.

And that night, through the windscreen, upon the midnight-tinted skyline, my wet eyes caught momentary beauty.

Dancing emeralds flickered and zipped by in swarms of flourishing sage, quietly and gracefully like wavering grass.

The mantises were taking flight.

 

Thursday, January 7, 2021

The Horrifying Private Museum For the Rich and Famous (Part 5) [FINALE]

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Chapter 5 (FINALE): The Next Guide

I was spitting out specks of dirt by the time I made it back to the museum through Earnie’s tunnel. An earthy taste coated my tongue and throat; soil stuck to my grazed elbows.

When I finally emerged in the evening light that came through the windows of the building, Earnie’s snub-nose was sniffing and snorting as I pat him on his furry brown head.

Pompous cackling beckoned me from the hallway - the type of egotistical rich laughter that came from throwing a heavy, inflated head back. Wiping muck away from the face of my watch, I saw it was already nine o’clock. The deplorable guests had already been roaming the museum for three hours - I didn’t want to ponder what unimaginable damage they had done.

I was about to leave through the doorway of the Animals and Evolution exhibition for the foyer and make my way towards the sealed door, but when it suddenly began, my heart felt as if it had stopped.

One after another, the display cabinets throughout the museum that once held the imprisoned exhibitions exploded into clouds of broken shards. Shattering bangs echoed down the hallway, the floors above me, the greenhouse. It was a symphony of broken glass clattering throughout the entire building in bursting pops, a cacophony of impending frenzy.

The air inside the museum was intense, scalding. Me, its tour guide - the eyes and ears of the place - was trying to leave it for good, and the building exploded in a hot retaliating rage. The museum abhorred me for attempting an escape, and the exhibitions were let free.

From the halls: The once cackling guests soon found quietened confusion, and silence swiftly grew screams as delirium blossomed into blind fear. Glass displays still distantly popped and met the marble like clattering hail.

It occurred to me in that moment of sharp terror that the museum itself was an exhibition in and of itself - a wealthy man’s pandora’s box. And, staring around at the violent exploding glass that had housed our precious artifacts, her message was hauntingly clear: If she couldn’t have me, then no-one else could.

Two men frantically bolted into the room, running from an unseen horror. Their faces were polar opposite expressions: One spoke volumes of fear under a furrowed brow, the other had a jaw that was tightened with invisible bolts of disdain. Mister Frightened and Mister Angry - a rigid dichotomy which showed their contrasting feelings in the face of death. Here, in this abominable rich man’s graveyard, they knew they were going to die, and to hear the museum narrow their death sentence with every pop of distant glass felt intensely euphoric.

“What’s going on?” Mister Frightened’s voice was a helpless drone. ”Where were you?”

“I was-” I held my breath.

From their demeanor beginning to calm it was evident that they felt relatively at ease in the seemingly dull animal wing of the museum. I would have felt the same if my eye didn’t catch the finger-length Chameleon crawling up Mister Angry’s wrist.

The other man caught wind of what I was looking at. He looked down at Mister Angry’s forearm and his bulging eyes looked like they could have fallen out of his head.

“Oh, God.” The man with the chameleon up to his elbow said. “I’ve read about these. On the placard. How did it get-” His voice was shaking.

I wiped one sweaty hand on my leg and began to back away. This… All of this didn’t concern me. I had to escape the museum, I had to find out what was behind the steel door.

“It’s going to bite me, r-right? It’s venomous, right guide?” Mister Angry shrieked. “Get it the hell off me!”

I interjected, stepping one foot back then the next. “No, though it-”

Without warning, the man peeled it from his skin, one thumb pushing against the Chameleon’s neck to expose fangs. Mister Angry swiped the reptile at the other man with force, and its mouth stuck to his skin like a dartboard. And he laughed.

The rich and famous that visited were never going to change. I thought, watching Mister Frightened squirm and hold the blood that slowly drizzled from the freshly carved holes in his neck. Never.

The bitten man looked like a chameleon for a while. At least, part of him did. His wounded neck-skin bloomed orange, violet. Scaly flesh beneath his jaw was iridescent in the moonlight. Human cells were never meant for camouflage, and the man was soon testament to that. Mister Frightened didn’t make a sound, only an anguished grimace in pain as his skin cells flowered sage, then ocean blue. The pain was clearly insufferable, enough to turn him mad, enough to want to spoon the bloodshot eyes out of their sockets. Though, the worst stomach-curdling process was yet to come.

There was never venom, though the chameleon’s bite was turning his skin. When his human shell could bear the stress of chameleon evolution no longer, the blotches of scales that his flesh had morphed into soon became clear as glass. Transparent areas of the man’s skin bloomed in circles, growing slowly and easily like puddles in rain.

He went to grab a banister with one ghoulishly crystalline hand, but he couldn’t have known that the chameleon’s contagious clear pigmentation would also make his flesh as thin as paper. Pointy finger bones tore through the tips of his fragile paper-skin like spiny white staples as his hand touched the wood, and he screamed and screamed. Mr Frightened fell to one knee, the only limb that still showed the true color of his flesh.

As he toppled over, I saw his liver, his heart. All organs and gore were on show as I stared through his back that looked like a mere translucent veil or a jellyfish.

The Chameleon’s contagious pigment miraculously started to spread to his neckbones and his skull, and his skin and bones bloomed as clear as a window. No sound came out of his mouth when he screamed then, only that of the sickening tearing that came after his brittle see-through neck snapped under the weight of his brain.

His head made a splash as it dived from his shoulders onto the marble floor. Watching his facial skin flake away to translucent dust, I was reminded of the venomous Glass Butterflies we housed in our Insect Exhibition. I wouldn’t be surprised if this was how they originally came into being.

There was a brief, satisfying respite after I watched the rich man meet his demise. When my heart and standing hairs upon two shaking arms settled, I recalled how vulnerable he had looked with his organs showing; how scared he must have felt in the moment before his head broke loose from his body. His memories, his hopes and fears, his rich ego all ending in an instant as his fleshy mind-bubble met marble. How gratifying.

The other man tore me out of my moment of ecstasy as if he had plunged me in a freezing bath. Mister Angry was wildly swinging a hammer in front of me, it narrowly missed the bridge of my nose.

“We’re completely fucked because of you!” His voice lashed me with a searing culpability. He swung again and missed because that time I was already on the move.

I bolted for the door; my feet skidding as I turned in the hallway towards the foyer.

Angry guests, exploding cabinets - It’s all too much, Sophia. I thought. I know you’re watching me, honey. I’m going to be free.

I reluctantly passed the steel door as I swiftly climbed the grand staircase of the foyer. I was going to open it this evening to find freedom just as Johnny had told me I would, but not until I could shake the angry, wealthy prick on my tail.

The floor inside the Arts and Music Exhibition was littered with the shattered glass of the displays of free exhibitions, and when I entered the room I immediately went straight for the back wall. Above me on a golden placard: THE TOOTHFAIRY.

Mister Angry followed me into the dimly lit space, wielding his hammer tightly over one shoulder. “Nowhere to run, guide.”

The man turned left, then right. “No reanimated freaks left here to do your bidding either, eh?” His eyes scanned the floors for smashed glass - the remains of any escaped displays.

But the Toothfairy didn’t do my bidding, and it didn’t need broken glass to be set free - only the deep, nauseating hunger that rumbled within its canvas belly for the guest’s mouth-bones was needed for it to wake it from its dye. An ash-colored hand tore out of the painting beside me, slowly reaching, wanting. Strings of oil pigment like bloody tree sap or syrup hung from its arms and neck as it hoisted itself out of the canvas. Its face had no eyes; its head was only half of that - only the jaw, mouth and cheeks remained below its jagged outline of a missing scalp.

The man turned, but the Toothfairy’s fingers were long, and its famine even longer. It leaped from the canvas, pinning him tightly against the ground. His hand was limp, the hammer slipping from his grip.

My heart was racing, skin gooseflesh, but watching the animated painting pull the man’s teeth felt intoxicating. There was a vile amusement that burned within as I counted the number of teeth the ghoul had to unroot before the man’s words became a wet indiscernible mess. Six, seven.

When there were no teeth left, it started at his lips - pink leeches that peeled away, syrup strings and nerves.

Hel’ me, ‘lease…” The man gurgled.

I smiled back because the tortured tour guide that I once was proved to be no salvation for him - perhaps only dentures were. And so, I picked up his hammer and left him there to expire.

The museum foyer outside was as it always was - ornate and grand. I looked up at the mosaic ceiling and laughed as I walked down the stairs of her belly; an orchestra of exploding glass displays and screams drowning the sound of my chuckle like a loud, swirling drain of disarray. The horrifying museum for the rich and famous was absurd, and it ate me whole.

I had the key to the steel door, and with it, my misery would come to an end. I can feel you smiling, too, Sophia. Dad is leaving.

The hallway wasn’t very far - the steel door wasn’t far. Not much longer, Sophia. You’re going to be so proud of me.

My stomach sank.

I didn’t anticipate the museum’s curator to be situated outside the metal door; two stumpy legs beneath him that looked as if they hardly held up his grape-like frame which busted at the seams.

“Michael,” He said sternly, his back almost flat against the cold metal barrier behind him. “Please don’t do this.”

The head of the metal hammer in my hand shined brightly at the right angle. I walked towards the curator and the door.

“Oh, boy-o.” The curator said. “You’ve gone mad! That grin,” He shook his head. “The museum has gripped you, hasn’t it?”

My fingers reached up and patted my lips like they were going numb. Oh, God. How long had I been smiling for? How long...

“If you turn and leave,” His thick voice was shaky. “We won’t come after you. You have a choice, Mike.”

I contemplated for a while. Cold from the snow outside came through the broken foyer windows and chilled my bones, and I watched the steam of my breath rise from my lips.

“Retire, be free. Live what years you have left. Or enter the door, and you will never leave. It’ll break you, boy-o. It’ll break... her.” He was holding his hands up submissively. “Please, Michael. Do you want to leave?”

I wanted to reply.

I wanted to say ‘Yes’, but the museum held my tongue, my arm.

And the hammer swung and swung.

Each blow was half Michael, half museum, but all of it - every cracking of his skull, every slosh of the curator’s brain under my hammer, was the bite of fifteen years of torment.

It was surprisingly easy to turn his skull into broken shards of bone and a gurgling fountain. Blood ran freely onto the ornate white floor like long, branching worms. In the poorly lit greyscale blanket of the evening, the curator’s life-fluid stood out vividly as a red pool against surrounding dull, washed colors.

My breath was labored through smiling teeth that were speckled with red paint. He’s dead. He’s really dead.

It took a while for me to catch my breath, but when I finally did, I fumbled around for the key in my pocket and found that it slid it into the steel door with ease. Surprising ease, as if the door had been opened regularly. But it can’t have been, I was here once a week and it was always locked tight.

The steel door groaned open. Circular lights adorned the short metal hallway in rows, leading to a second wooden door a few steps away. Above the door, a golden placard. It read: THE NEXT-

My stomach plummeted.

In bold letters: THE NEXT GUIDE.

I reluctantly brought myself towards the second door and pulled. If I had been wearing a smile again, it was soon gone.

Pink wallpaper plastered the walls inside the space and peeled off occasionally in curled rips, save for one wall that was well-kept - most likely because it was decorated with polaroid photos. The shelves were littered with teddy bears, the ground with clothes, the ceiling with fairy-lights.

I moved to the wall with the images and braced it with one hand as I peered closer. As I picked up one of the pictures, I caught the scent of iron from the dry blood on my hands.

It was dated three years ago. Centre frame was the curator, slimmer back then, alongside a blonde teenager in a tidy ponytail. They were smiling.

Another polaroid unstuck itself from the wall as I pulled. Upon the white bar beneath the picture there was some writing that was messily scribbled in vivid: FLYTRAP’S BIRTHDAY. Dated a couple years prior, it depicted the curator and the girl, younger this time, beside our giant venus flytrap we kept in the greenhouse. This photo had been taken at the museum while I was working.

What is this place?

Reaching all the way to the end of the wall, I picked up the earliest photograph. It was dated fifteen years ago. The curator was sitting next to a hospital bed, the slimmest I had seen him and with a full head of hair. Beneath the polaroid, more writing: CANCER FREE! Right of the picture on the bed beside the curator was the same young girl, maybe five or six years of age. She had bright blue eyes and-

Sophia.

The pink room was spinning, I felt like throwing up.

This can’t be happening. It wasn’t happening. The curator was right, I was going mad. I’m going mad. I’m just going-

“Dad?”

Her words were quiet, distant, and afraid. Her voice broke me in two.

I turned.

Those same eyes, that same smile. My sweetheart was older, she was in her early twenties. After all, it had been fifteen years since I last heard her voice.

“Sophia?” The words trembled from my lips.

For a while I cried as she hugged me. I thought about how the curator doctored the hospital's notice of death that I had received so many years ago. I thought about how Sophia had been beneath my feet the entire time, caged like an animal and enslaved as a future pawn for the rich and famous. But after some time, I only thought about her smile.

When she pulled away from me, her eyes caught the bits of the curator’s skull upon my maroon waistcoat. We still caught up; we had a lot to talk about. But after she had seen what was on my coat, her smile had faded, and the sparkle in her eyes was long gone.

Still bawling, she sat upon her bed. “Where have you been?” She asked.

“Right here at the museum, honey. Once a week. The other days I spend off-site, never far.” I spoke. “They don’t let me visit the museum on off days, they have lots of cleaning to do.”

She was choking up as she spoke, her words took a while to come loose from her lips. “No, they don’t.” She sniffed. “Dad, the curator shows and teaches me about the museum on those other six days.” She pointed a shaky finger to the polaroid pictures on her wall. “He says I’m going to be a superstar tour guide, loving every moment of working here, just like you.”

I thought back to the golden placard on the wall. THE NEXT GUIDE.

It felt like my heart was going to give out.

This world was cursed. It was cruel.

“Honey, it doesn’t matter what he said, he’s a terrible man. He has been raising you to be-” I shut my eyes tightly, inhaling a deep breath. I didn’t want to tell her who he was, I didn’t want to tell her that her life was a lie, and her caregiver was a monster. “He’s grooming you, darling. Like cattle for slaughter. You’re going to be a pawn for the rich and famous, just like me.”

She was shaking her head. “No!” She sniffled. “That’s not true! It’s not!” She bolted up from her bed and made for the door. “The curator is my friend; he wouldn’t do that.”

I was shouting. “He’s as bad as the rest, honey. Listen to me. They’re all monsters, all of them. All the rich and famous that visit this God forsaken horror house!”

There’s no way she ever saw the rich people – she was hidden away through the door the nights I had given them tours. She didn’t know where to begin when unravelling my incoherent rambling, and at that moment, she was just a sobbing mess.

I went to hold her arm to settle her down, but she screamed.

“Get away from me!”

I felt helpless. “Listen to me, please,” I said. “The rich are deplorable, and they are here once a week, you just don’t see them because you’re locked-“

She sprinted through the door.

“Sophia, don’t-“

Her slipper splashed as it met the maroon puddle of blood that pooled outside the doorway.

She screamed and screamed not only because she was beside the curator’s face that had been mashed to a bloody pulp of broken bones and flesh by my hammer, but she might have screamed because at that moment she knew her father was a-

“Monster…” The words fell out of Sophia’s trembling lips. “You’re a… You’re a m… monster, daddy!”

I went to grab her by the arm and hold her and tell her it was alright and that we were free, but she slapped my hand away and shrieked.

My voice was quiet, pleading. “I’m not a monster, honey, I-”

She was backing away from me. Pale moonlight flooded in and painted bloody steps upon the museum’s marble floors where her slippers had been.

Looking down at the ground, she didn’t see the disgusting man lying there that had tormented me for fifteen years, nor the man that had kidnapped and groomed her to be the next guide. All she saw in the museum curator’s lifeless body were the remains of the honest man that had raised her in her father’s stead. And I had just haphazardly scattered his brain across the marble floor with a hammer.

She broke off into a sprint down the hallway, around the corner and down the steps she had walked many times before.

I screamed after her and gave chase. When I finally saw her again, she had stopped in the middle of the foyer a few steps from the door.

Beezlebub and the Toothfairy were patrolling the halls, slowly making their way towards us. The museum’s abominations did not wander aimlessly, they were searching for me. The museum was searching for me. It was not going to let me run free.

The back of her blonde hair was facing me as she wrestled with the door locks. Sophia shrieked as I made my way past her and jammed my master key into the door and twisted.

My heart was racing. The key that had worked for fifteen years was not turning the lock. I kept twisting and turning my wrist, cussing as the museum’s exhibitions loomed.

It would never open, of course. Not this evening.

Because something was amiss.

The museum had no guide.

Inside the foyer, Beezlebub fluttered a broken fly-wing as it sucked his disgusting mouth-tube in and out like a pacifier.

When they would reach us, they would pull my teeth and flesh from my bones as easily as boiled meat. Sophia would be next.

No, she was going to be free.

The ground scratched as Beezlebub dragged one contorted spiny foot across the marble. Closer, closer.

And that’s when I knew what I had to do.

My arms were wide. “I will be resuming tours at ten o’clock, please leave your coats on the rack in the foyer.” I said, my voice echoing through the museum.

The sound of scraping and glass displays smashing was no more.

“Is that what you want to hear?” I screamed at the museum. The two horrifying exhibitions inside the foyer stood frozen.

“Is that what you want to-“ I trailed off, falling to my knees. Tears streamed down my cheeks and onto the ornate floor.

The museum would have been satisfied with either me or Sophia as the guide, but it was always meant to be me. Always.

A clack chimed from the door behind me, and Sophia and I both turned.

Snow drifted slowly to the ground through the large doorway to the outside gardens. I managed to make out the gloss of the curator’s black sedan underneath piling snow parked near the steps outside.

“Do you see?” I said.

I took Sophia’s hand, and held her cold grip tightly mine.

“This museum is cursed; the people that visit it are cursed.”

Reaching forward, I braced her pale cheek with my other hand before she could squirm away. “Look at what I’ve become.”

“Look at me.”

Staring into her, I saw my sweetheart, my world, my everything. Sophia was here, and she was real. She was alive.

“Look at me, darling.”

Tears streamed down my face and met my shirt collar in blotches.

“I may not be your father,” I muttered. “Not to you, not anymore,” I brushed her hair from her brow. “But I want you to know that I love you, Sophia.”

When her wet eyes met mine, I knew she hadn’t seen her Dad. She saw the museum. And I’m glad she did, because if she hadn’t then she might have stayed.

“I will always, always love you, my girl.”

I like to remember her smiling in that moment, but it may have been a trick of the mind. I let go of her hand, leaving the curator’s car keys in her shaking palm.

“You get in that car, and you go.” I said.

She sniffled and nodded.

“You go and go and don’t stop until you are safe, honey.”

Johnny was right about finding freedom through the door, though it was never mine. The museum had possessed me, just as it had Mariette, and I could never leave.

But Sophia could.

“Goodbye, Dad.”

For the first time in years, my smile was warm and genuine.

False memories of her future flashed through my eyes as I watched her breathe the cold air on the outside steps.

I saw Sophia’s first day at her real job. The smile on her face at her wedding. Her children starting school.

My eyes followed her as she disappeared into the snowy evening in the curator’s car.

When I faced the museum, the exhibitions had wandered on, and the building was silent.

I put on a ballroom waltzing record before I began sweeping the glass of the museum’s cold floors.

The exhibitions were free, of course, but it was no secret as to how I survived fifteen years of trauma. The museum had protected me from its exhibitions because I was her guide.

As I made my way around the ground floor of the building, I noticed one glass display that had not broken in the chaotic evening. It was when I had passed the paranormal wing that I saw her.

Her hand braced the window of her prison, and her fingers slid down with a screech.

“Come on then, Mariette.” I said as my key fit snugly inside of the glass cabinet.

The music from the record player was a divine tune of strings and soul. A song to dance to. I felt a spring in my step as the old tour guide and I made our way to the main hall of the museum.

The beautiful evening stars above the mosaic glass ceiling painted the marble foyer a beautiful azure. My grip made its way through Mariette’s cold, plastic fingers until we were holding hands under the night sky above. Her face was that of a shiny doll, but it did not matter - she still had the soul of the young woman that once walked these halls, and she was stunning. This evening was her time to feel young and alive again.

Leading, I held her hand, and together Mariette and I slow-danced in the moonlight.

“Mariette, my daughter is free. Sophia is free. She’s out there somewhere, starting a new life.”

The moon, the museum’s marble and my heart: The color of cold lips.

The old guide and I waltzed left, then right. “Isn’t that lovely, Mariette?”

We twirled under the stars.

“Mariette?” 

---

Credits

 

The Horrifying Private Museum For the Rich and Famous (Part 4)

 https://i.ytimg.com/vi/oOBJf83XgB8/maxresdefault.jpg 

Chapter 4: Metamorphosis

There were two unopened doors at the museum that had always haunted me since I started: The first being the locked steel door I had passed countless times at the museum yet remained locked and never accessible - a peculiar haunting that amounted from itching curiosity. It had been swimming around in my mind since that young girl visited the museum a few weeks ago and her curiosity prodded away at its potential. Secondly, and more horrifyingly, was the shut doorway to Johnny Razortongue’s display, the only exhibition I never entered out of unadulterated fear.

Johnny Razortongue is to blame as to why Mariette, the previous guide - the one that walked the museum’s halls before me, went mad. It has been said that his plastic ventriloquist-dummy tongue only speaks in mind-shattering truths or lethal lies. He chooses either truth or lie based on whatever brings him the most entertainment at the time from his deprived, sealed exhibition-cell in the corner of our paranormal wing. His disturbed mind knows only disarray, and it thrives in all manners of consequences from his cruelty. Mariette knew this all too well. The dummy poured pestilence into her ear from the moment she visited him, contorting and twisting her once fortified mind like molten glass under his heated will. And so, Mariette’s ill-fated psyche bent. It bent and bent until Mariette was no more, until all that remained of the old guide was her doll-like shell after she gave in to Johnny’s razor tongue. After she believed his lies, after she injected herself with plastic to become a ventriloquist dummy, just like him. After she decided to please the museum and to please Johnny, nothing remained but her tortured soul inside of her plasticized and reanimated body.

It was snowing the day I decided to leave the museum. My hand braced the cold windowpane iced with white clumps, and the warmth sucked out of my hand easily like cigarette smoke.

Years prior when I had started as the museum’s tour guide, I received word that my daughter’s cancer had taken her. A letter - that’s all I was given by the oncology ward. The hospital informed me that my daughter had passed away by mail - which meant she had been dead for a few days before the paperwork actually arrived. The fact of that shattered me. I decided I would rather live with the burden of insanity before carrying on in this cruel world with the burden of a child dying. Thinking back, it had been snowing that day, too. Before deciding to venture into Johnny’s exhibit to let his toxic words take me just as he had Mariette, the snow outside reminded me of holding her gloved hand at Wintertime shows, and her face in my mind’s eye begged me to keep living. I didn’t visit him that day.

Though, until recently, I felt no obligation to ever try to break my contract and leave the museum anymore. Sophia, my world, my darling, was dead. Why would I ever leave? I could stay and hold the ghastly hand of her ghoulish reflection against the interface of our museum’s horrifying haunted mirrors. Here, Sophia was with me, and I was never alone.

Stopping to gaze up at the enormous foyer, I was reminded that I, too, was an anguished exhibition in this rich man’s contraption. The poor guide to push and pull at, the man who survived fifteen years of torment. Look at his hollow eyes, the wealthy visitors probably thought. Look how dead inside he looks.

No more misery. My daughter wouldn’t want me to wither away like this, a pawn at the hands of the rich and famous. It was going to be freedom or death.

On my way to visit Johnny I found myself walking past the locked steel door, past the arts and music exhibition and downstairs next to the living wall and into the paranormal exhibition, when something caught my eye.

It was Mariette, the reanimated plastic shell of the previous guide, in her display. She clicked her pale joints stiffly and fluttered her heavy eyelids against tough friction. She was deceased and on show, but her soul was still very much alive. A soul that pushed her hand up and against her glass prison as if to say: Stop, guide. Look what Johnny did to me, and what he is going to do to you.

I’m sorry, Mariette. I thought. Believe it or not, Johnny is going to help me leave this horrible place.

I was so focused on organising my plan to see the dummy and to leave the museum I had almost forgotten to feed Earnie. I could never forget about Earnie.

Beyond the insect exhibition hallway and to the left was our Animals and Evolution room. It was quite frankly rather dull, but Earnie always stood out to me like a hairy, clawed thumb.

I found myself walking swiftly through the marble halls, climbing upon the balcony that stretched above the open-plan exhibition room. From the balcony overlooking his iron-barred pen, I tossed him heads of purple and green lettuce which he chomped with an effortless wet crunch.

See, Earnie was a bear-sized mole. And he had a secret.

He was a gentle giant, and I loved him. It was so difficult to find a kind soul in this abominable place. And so, I kept his secret. I found the hole he had dug through to the museum’s garden, and I let him have it. He could have his freedom if I couldn’t.

Completely dreading it, I took my time on my way back to the paranormal wing. Visiting Johnny was a necessary evil.

The plan was based around the belief that I was well-adjusted enough to figure out if Johnny was telling me a truth or lie, and adjust my plan to leave the museum accordingly with new information. If he lied, I would in turn unveil it, flipping his lie on its head and use the opposite, a truth, to my advantage. Fifteen years of experience as the tour guide was behind my back, something Mariette never had when his words broke her down. Becoming accustomed to the museum’s horrors had made my mind a steel fortress. Though, I just hoped Johnny couldn’t melt my mind as easily as he did Mariettes.

My master key met the rustic, untouched lock and twisted with a clank. With one slow reluctant pull I opened the door to the ventriloquist doll’s chamber for the first and hopefully last time.

It was foolish of me to assume the lights would still turn on after fifteen years. I turned to grab the torch from my hip, my eye catching Mariette a few metres behind me in her display, facing away in disgust from the room which had been her demise years ago. I swallowed tightly and smacked my flashlight alive against my palm.

Johnny was sitting on a black stool in the center of the small room. The light from my torch lit up his pale skin which contrasted against his baby-sized tuxedo. From the corners of his lips straight downward to his chin were thick red lines cutting into his plastic face, forming a mouth.

His voice was croaky yet dripping in sickening enthusiasm. “Hiya Michael!”

His words had already broken me - I hadn’t heard that name in years. A decade, even. I was lucky to even remember it - after a while my name simply became ‘guide’. But how? How could he-

“Buddy, pal!” His eyes wandered loosely in his sockets left then right like rolling marbles as he spoke. “How’s it hangin’, Mikey?”

There was no dust on his combed hair nor suit, as you would expect for an animated plastic horror who kept tidy by wandering the confines of his room.

His mouth was ever smiling as he leaned to one side. “And… How’s my girl?” His stiff dummy frame moved and peered at Mariette over my shoulder behind me. “Oh, isn’t she just gorgeous now, Mikey! Look at that plastic shine!”

This… thing… was revolting. I thought.

“And,” Johnny turned his stiff head to me, smirking under the bright torchlight. “How’s your girl? Dead in a hole, Mikey?”

My stomach plummeted. I would have torn his tiny, disgusting head off in an instant if I didn’t need him.

The puppet laughed with a menacing whine. Heheheh… “Sophia, she rotting in the dirt?”

My fist clenched, and the spotlight from my torch shook over him like the light from a swinging chandelier.

“Maggots probably crawlin’ outta’ her cheeks. Eh, Mikey?” Heheheh

“Stop!” I suddenly bursted out; my echo carrying for a while through the empty halls of the museum.

For a while he sat quietly on the stool, his legs freely kicking the air like a kid sitting on the edge of a pier. He stared up at me with horrifying, glassy eyes and a devilish smile that never quit.

“I’m leaving the museum for good at six o’clock.” I gulped, watching his every move for hints of the truth or lie response that was about to come out of his plastic mouth. “What do you think about that, Johnny?”

His head suddenly spun around several times as he spoke. “Wow-wee friend-o! I have lots to think about! I do, I do!”

For a while, I watched his puppet eyes roll around and show only white. He was contemplating, of sorts.

“You won’t find any freedom outside, Mikey.” His mouth pulled open mechanically and clasped shut as he spoke. “Though, you will find freedom,”

One tiny arm beckoned me to lean closer, and I did.

He was whispering when he spoke. “Through the steel door.”

“What?”

He leaned back on his stool; one plastic square chin dancing in the light as he laughed to himself.

Heheheh…

I thought about it for a while. That steel door had remained sealed since I had started this awful job.

He kept chuckling to himself before abruptly going quiet. His eyes were locked on the old guide behind me. “Oh Mariette...” He called out a childish croak.

I slammed the door shut and locked the door. Outside that room’s tense atmosphere I felt like I could breathe again.

If only I could have gotten more information out of Johnny than a simple, straightforward lie. To avoid the lie of entering the steel door would be no drama. All I would have to do is run from the museum, as I always thought I would have to do.

When I checked my watch and saw it was five minutes to six, I came bolting around into the enormous foyer. The guests would be arriving in a matter of minutes.

The towering ornate museum door opened with its usual mechanical groan. I pushed past a man with a salt and peppered beard, his blustering coat nearly catching my face in the cold wind.

Lady weather was against me this evening, but the plan was already in motion. The plan was to run.

I almost tumbled when one of the rich pricks snagged me by my arm as I jogged down the stairs. I couldn’t hear exactly what he said - the swirling breeze swam in my eardrums like a cold stream, a sound that I didn’t often hear from inside the rich man’s prison. It was beautiful.

Every step into the museum’s wide frozen garden made a gentle hushk beneath my shoe in the soft snow. I couldn’t look back until I met the tree line. When I did, I noticed a few of the men that gave chase.

I launched through the spiny bushes ahead, taking exaggerated steps over rough terrain like a horse that walked with a proud gallop. Cuts and scratches against my flesh from branches felt liberating. It was painful, but it was not the museum’s contraptions hurting me anymore - it was the fresh lashes of wild, unpredictable freedom.

I’m almost free, Sophia. I could feel the warmth of my daughter smiling down on me. She wants me to be free.

“Guide!” A deep voice of one of my pursuers boomed through the forest with reverb and my heart spiked in my wheezing chest. They were closing in. Though, why were they after me? I had left the door wide open for them.

Turn around and burn the museum down, you horrible bastards.

There was no doubt in my mind that if I stopped, one of the rich brutes would bash the brain-juice out of my skull with a sharp rock. How dare I, the suffering guide, threaten the fun of their wealthy expedition and take off into the woods?

Quick clapping and crunching of bark behind me made my ears prick. Without warning, one red silk shoulder of my waistcoat was snagged in an angry balled fist before I was yanked backward, making me tumble into mud and muck.

I pulled my head up with a groan, my joints aching dully and skin searing like a full-body carpet burn.

The museum guest straddling my chest was a mere silhouette, the backdrop of stars behind his head only lighting up greying hair at the edges. His cold fingers met my throat, tightening, tightening.

Wriggling left and right was hard with legs against my chest.

Clumps of snow fell gently onto my face in bites of cold as his hands crushed my neck. I swung and swung at his kidney with my fist, but he didn’t let up.

The stars above became a blur, and the top of his head filled the bottom of my vision.

One of my keys I had clenched between my knuckles punctured his side, and he went rolling down a snowy bank.

Gripping my purple bruised throat I stumbled forward, but wheezing meant I wasn’t getting enough air to keep up a jog.

“Stop!” His voice called.

With each step the snow had seemingly gotten thicker, though it still gave way to my feet with the same distinct hushk.

I couldn’t let up. Not when I was this close.

Yonder the snowy bank in front of me was a large building I had never seen before. It was quite smaller than the museum, bigger than the off-site cottage I slept in during my days off. A warehouse.

It didn’t take long to limp to it and break inside.

The smell of rotten wood and mold inside the warehouse crawled up my nose like invisible, pungent fingers. Bars of starlight came through boarded windows, covering the walls and floor in crooked glowing streaks of the moon’s azure silver gleam. It was dusty, unkempt. Dry, grimy particles coated and tickled my throat; the dust in the building was so awful that my cough might have looked like billowing steam.

Silhouettes of all shapes and sizes lined the walls and shelves, most with flaps of paper attached to them. It was a haven for retired exhibitions. That, or their hell.

Thudding came from behind me as someone pushed and pulled at the door trying to follow me inside. Unsettled flakes of crumbling wood drifted down from the ceiling with every shake from the banging door.

The shoddy place couldn’t possibly hold the wealthy brute outside for long. As my heart raced, my departed Sophia’s face suddenly glowed on the black canvas of my tight eyelids. I think I’ll be seeing you soon, darling.

I stumbled forward, coughing and glaring around the murky warehouse as the thuds became impatient. I needed something to get me out of here, anything.

“Where ya’ think ya’ going?” A man’s muffled voice boomed from under the door. It was the same man who had gripped me by my throat minutes prior. His tone was strained and fed up; I pictured his face flush and the cables of his neck sticking out as thick roots.

My cold digits wrapped around one of the planks sealing a window. Boarded shut. My options of flight or fight narrowed to the latter.

Thud. The door was stubbing shut against something, but not for much longer.

One of the lines of light pouring inside the dingy space sparkled upon something a few feet away made out of glass.

I walked closer; each step the floorboard spat out a dying croak. When I was near enough to make out what the thing was, a cold feeling bloomed in my stomach.

The thing I approached in the blanketing dim starlight was animatronic and ghoulish. Clumps of its brown artificial and fraying fur were clumped together in sticky balls of black grease; its glass tennis ball eyes held tiny, startling black pinhole-sized pupils. It was a human-sized depiction of a vintage stuffed monkey holding brass cymbals. Stuffing had come away from its middle in spongy yellow bunches, exposing rusty metal gears within a mechanical chest.

I tried not to make eye contact with it out of fear of it following my gaze. I still had to think quickly about defending myself - the door hadn’t stopped thudding.

Messily stuck to one furry ear of the mechanic being were a few pages of forms, faded and dusty. I puffed away dirt from the paper with one labored wheeze.

It read: Exhibition name - KELSEY. Children’s mechanical mascot that once educated schools about the importance of healthy teeth and gums.

I hadn’t noticed it until now, large and eerily human-shaped teeth stuck out from the monkey’s fur lips. An animatronic monkey to tell your kids to brush their teeth. Of course.

Out of commission: 1983. Reason: Excessive homicidal tendencies. Signed and approved: MARIETTE.

Mariette and I… connected by threads of time after all these years. This must have been an especially terrifying item to warrant locking it up in a warehouse to rot. I couldn’t believe that I had found something retired by the previous tour guide of the museum – it made me feel less alone.

I hadn’t felt that flavor of deep-chested and rotten fear in over a decade - a time when I was unacquainted with what lurked around the museum’s ornate corners. However, this evening I was again in unfamiliar and petrifying territory. Why was I not informed of this place? I would have decommissioned Johnny Razortongue in a heartbeat. If not for me, then for Mariette’s tortured soul.

Without warning, the stuffed mechanical abomination switched on. It chilled my blood to see golden iridescent bulbs flickering in the place where its lifeless, beady globes had been.

Its jaw gnashed wildly, lagging and biting. It was stuck in a loop for a while, seeing through eyes that hadn’t seen the world in decades as it woke from its slumber.

It turned to me: gleaming gears and yellow eyes all feasting on the one who broke its sleep. Me.

Kel-Kel-

The speaker tried to sing in a child’s voice, but the rusty electronics could only cough up distorted noise. When it finally started the tune and began walking, I made for the door.

Kelsey yum,

Kelsey yum,

Drink milk for bones,

put it in your tum!

My hand met the handle of the door. I went tumbling backward as the man kicked it in first, my elbow collapsing into one rotten floorboard. The mechanism behind me sang and sang, and her cymbals crashed and crashed.

Bones, bones, bones,

strong teeth for bite,

No moans, moans, moans,

brush your teeth at night!

The intruder’s hand was immediately aiming for my throat once more, but I was faster.

I turned quickly, catching one of his arms and pulling them behind his back in a lock.

Twisting, I faced his kicking legs outward at Kelsey. The cymbal-clapping animatronic monstrosity approached slowly, gears churning in its open chest.

Crash, crash, crash, went the cymbals. They crashed until the gears caught both his boots in its exposed core as he tried to kick her away. But he was locked in my arms. And he was locked tight.

From then, it took a while for the man to stop screaming. His feet met the unyielding gears of animatronic innards in a red cloud of skin and bone.

Calci-yum, calcium. Drink milk for bones, put it in your tum.

The once childlike voice coming out of the thing’s speaker became choppy and deep-pitched like a singing birthday card with a dying battery. At that moment I could only hope my daughter wasn’t looking down, watching me ghoulishly smile as my rich pursuer struggled and screamed in my locked arms. Close your eyes if you’re watching, honey. Daddy is going to be free soon.

The man screamed and screamed, and the dying speaker’s voice lines sung and sung: Calciyum, calciyum.

Metal gears were up to his calves. His cartilage popped; his leg bones buckled and broke with a stomach curdling crack as Kelsey snapped his femurs like thick white pencils through her gears as if the man was fleshy mulch.

I only let go when he finally became limp. His screams were no longer; all that could be heard in the dusty room was the mechanical spinning and clunking of gears from the animated monstrosity to my side.

For a while I sat in the dark as it ate him whole. It felt good to finally fight back, but it was never meant to feel this good. The sound of his bones crunching, the sound of his voice extinguishing like a wet flame. I was no longer going to be the one being tortured and tormented. I was going to be free.

Though, as the age old saying goes - ignorance is bliss. I wish I hadn’t looked down at the mutilated man. I wish I hadn’t seen that he was not someone wealthy nor a guest after all. Catching a proper glance at him in the dim moonlight shining over his overalls and glistening keys, it became terrifyingly evident that he was museum security.

I killed a man that was just trying to do his job.

No, I didn’t.

I didn’t.

The museum did.

Deep down I think I knew I was responsible, though. And that I might have enjoyed watching it happen.

But it was time to keep moving.

I swiftly bent down and swooped a metallic lighter and a ring of many keys before leaving the stuffed horror alone to eat. Most of the keys were long and identical to mine from the looks of things.

Snow was blowing outside the warehouse; I had to squint freezing ice-peppered eyes to see and orientate myself away from the museum’s grounds.

For a while I walked aimlessly in the blistering snow, not seeking a goal but salvation in as much distance I could make between the museum and myself.

The weather was relentless, and I was ill-equipped from the get-go. At some point I had a call with the museum's curator as I stumbled around the barren icy wilderness, but reality bordered with delusion.

“You can never leave the museum, Michael.” The voice was buzzing through the speaker. “You two are entwined.”

My jaw was chattering; I watched the steam from my mouth and lips escape me.

“This money,” The curator continued. “The type of money to let you run something like this… Your contract simply does not end if you leave our borders, sonny, you should know this.” He was speaking in a condescending tone.

All I could hear for a while was the clinking of a lighter opening and the curator sucking through a cigarette over the phone. Occasionally, the wind blew a strong gust and pulled away my coat.

“I think it is time you expire, boy-o. See, we even have a new guide lined up to replace you. It’s over.”

“I’m going to be free.” My voice was slow and hard to hear over chattering teeth.

The curator scoffed. “No, Michael, you’re not. I want to thank you for letting those… Those people that are lonely at the top of the financial mountain... Those rich and famous who are under constant judgemental eyes - those akin to exhibitions at a museum... Letting them truly be somewhere and be someone where they are not themselves. At our museum, they can be the audience, not the newspaper’s nor the public's exhibitions. And you were instrumental in such success.”

Breathing didn’t come easy - the air swirled and chilled my lungs like inhaling menthol.

“I’m going… to be.. free...” Words were labored from my lips.

“Farewell, Michael.” The phone clicked off.

I staggered for a while after the call had ended. Hypothermic brain-fog had me going in every which way. I had no chance of making it back to the museum in such delirium.

Did I want to return, however? No. Of course not.

It was cold.

And I was tired.

I laid down in a pile of snow under a naked tree. The evening’s snowy breeze no longer felt like anything at all across my numb face.

Just for a little while. I’ll sleep in the cold for a little… while.

I tilted my head back, letting my eyelids drift shut and the stars above sing me a final lullaby. For a while the constellations looked like my daughters face, and I smiled.

If I held a handful of snow tight enough, it didn’t feel like I was dying alone. It felt like someone was holding my hand, and the fear started to blow away with the wind.

But the snow in my hand was hairy.

And it was warm.

And it was breathing.

A cold pile beneath my arm erupted into the air with a snort as if from a whale’s spout.

His brown fur looked unworldly against the field of snow. He couldn’t see much with his two black, beady eyes beyond his whiskers but he knew it was me.

And I knew it was him. Earnie.

I swiftly buried into the thin layer of concave snow that Earnie’s pink and brown head came from. It was hard to see anything inside the hole, if at all, but it was a lot warmer than the surface. Inside, the lighter I had pulled from the security guard no longer faltered in any wind in the tight space, and I caught the tail end of the mole’s pink hindpaws in the lighter’s soft glow as he began to scurry back through the tunnel towards the museum.

I crouched a slog through the tunnel using only the lighter and Earnie to guide me. Warmth returned to my extremities and spread in waves.

Coming to think of it, the lighter was not the only thing I had found on the man’s body.

Upon the keyring I had taken was a peculiar long and winding key I had never seen before. One that I had never owned.

A key to the steel door.

---

Credits

 

The Horrifying Private Museum For the Rich and Famous (Part 3)

 https://i.ytimg.com/vi/oOBJf83XgB8/maxresdefault.jpg 

Chapter 3: The Contract

This week, I found myself scrubbing away at the SCATTERBRAIN mirror in the paranormal wing of the museum. The premise was simple: the mirror’s deep navy and galaxy-sparkled reflection would read your eyes, and the deepest horrors and fears from the recesses of your mind would scatter onto the mirror like brain-paint. If I’m being completely honest, I utterly dreaded cleaning the mirror. I hated seeing my daughters distorted face staring back at me, or the reanimated horrors of the museum eating away at my flesh. Yes, I’m talking about you, Mariette. I peered my head out the large doorway to the plastic doll in her display.

My microfiber cloth polished the blood and muck from the corners of the mirror’s golden ornamental frame. It reached between the crevices of the perched gargoyles it depicted in its etchings around the rim of its face. Around the center I swirled and swirled until it was squeaky tidy. When I saw my daughter Sophia, I met her imaginary hand at the interface of the reflection with mine. When I saw monstrous exhibitions standing behind my shoulders, I rolled two unimpressed eyes. Cleaning carried my mind to the clouds, and I thought about the museum rather than the labor ahead of me.

I guess there is great fear in unknowing. And, like a disease, the fear I once had for the museum’s daunting artifacts soon spread to another host once I became accustomed to its horrifying mechanisms while living in its belly for so long. The unpredictable fear and excitement of the building bit the wealthy visitors like a rabid dog, and my panic no longer grew from the museum’s walls but blossomed from the cruel diseased hearts of the deplorable rich people that visited. I could always predict the way the museum would react, never the manner human malice could. And, every week, I had no choice but to confront those who visited the museum and mold myself to their erratic and sickening behavior.

It was the same fear that gripped me fifteen years ago before I signed the employment contract. The fear I had in my twenties, the fear that came from finding out my daughter’s cancer was untreatable without chemotherapy. We were young, and my job didn’t pay enough for costly therapy. Hopelessness met me at the end of an empty whiskey bottle, which had stared at me accusingly until the very last drop. I was a failed father with nothing but time on his hands to watch my daughter Sophia wither away and observe her joyful, smiling soul fall through my fingers like sand. That was, until, the day I saw a strange article in the newspaper.

TOUR GUIDE WANTED, it read. When I saw the salary listed, I saw not dollar signs but my daughter’s bright smile. My mind’s eye witnessed her future graduation, her wedding - the second chance from the cruel illness that had been pulling her from my arms and into a child-sized coffin.

The employment contract to be the tour guide at the private museum was simple, yet unforgiving. The paycheck was huge, enough to solve my personal woes and help my family. Though, the paperwork was littered with strange clauses. Most of which ended with: IN EVENT OF BREACHING THIS AGREEMENT, EMPLOYEE IS SUBJECT TO IMMEDIATE TERMINATION AND EXSANGUINATION.

If you don’t know what exsanguination means, it’s a showy word to describe draining your circulation of blood. I was twenty-something, desperate, and I had guessed the word meant that they were going to forcibly take me from the property. Later, when I found out what it meant, I consoled myself it was merely a sick joke – no organization simply murdered unruly employees. My wife, however, didn’t find it amusing. Though, desperation took me, it propelled me to sign up for Sophia’s sake. And the museum held me in its jaws for fifteen years. The contract was indefinite, and early termination would result in one thing: EXSANGUINATION. This was no known organization, no one would hear me scream - not even God. And in this place, there was no God, only the rich and famous.

Last week when I picked up the phone, a voice sprinkled with familiarity met my ear. It was the voice of someone I had heard before, sounding deep and curdled between obese lips. It was the museum curator, and I had not spoken to him in fifteen years since the day he presented me with my contract.

“Hi there boy-o!” He boomed; a hissing of stubble sounded through the archaic museum phone.

“Who is this?” I murmured.

He bellowed a fat man’s laugh. “Oh, you don’t recall?”

My stomach sank when I remembered the curator’s voice.

We spoke for a while, and the conversation was short and terrifying. He was understanding, but beneath his bubbly tone was an underlying and unsated desire for cruelty. He was just like the rest.

After a short chat, he coughed into the phone to break the catchup. “What I’m trying to say, lad, is that I appreciate your commitment to the museum. That I do, that I do. For the guest list tonight…” He paused, murmuring gibberish as he read something. “Yes, yes. Five will be attending the function tonight, four of which are guests.”

I nodded to myself, I was off the hook. But why was he calling me?

“Great, I’ll-“

“The last attendee is not a guest, rather, will be there for your aforementioned exsanguination.”

I think my heart stopped.

“Excuse me?” I said.

“Oh, it’s not all bad, chap. If the attendee is incapacitated and unable to carry out this clause of your contract – uh, kill you, we’ll be seeing you on time for work next week. Cheerio!”

The phone clicked off.

It was a painful week after that night, and my heart never left my throat. Every waking moment my mind would drift and be reminded that someone was coming to the museum to end me. I supposed that was always a risk when giving tours to the deplorable brats that visited. But this was different. Whoever it was, their sole goal was to leave my body cold and lifeless.

I checked my watch after I had finished polishing the mirror and began walking towards the enormous foyer.

Uneasiness, as well as my turning stomach, almost made me forget it had to feed TOOTHFAIRY.

Up the stairs I went and down the halls, passing the locked steel door on my way. I had never opened that door and it always tickled my curiosity, though there was absolutely no way inside without a key. Besides, it was a matter for another time. The guests were going to arrive in fifteen minutes. So was my executioner.

At the end of the flowing walls of the music and art exhibition was a dimly lit doorway that I rarely entered. Outside on a large golden placard above the entrance: TOOTHFAIRY. The room inside was a dark cubed space with painted black walls. A single spotlight illuminated the painting hung in the center of the furthest wall.

A horrifying face of an anguished man was brushed across the canvas that looked like a hairless, burning corpse. Its mouth and eyes were vacant holes; distant white specks could be made out in the open cavities of its face. Teeth. Throatfuls and eye sockets lined with hundreds of teeth.

We were given this painting from a woman who saw the face move on her bedroom wall. Obviously, no art dealers would take her up on a donation.

Our cleaners kept the teeth from our deceased visitor’s corpses for a special reason. It’s grotesque, sure, but completely necessary. From my maroon waistcoat pocket, I pulled a handful of bloody teeth and fit them snugly in the rim of the artworks ornamental frame.

Monthly feeding became a ritual so he didn’t leave the painting and walk the halls. I hated the times I forgot to feed him. The times he crawled out of the canvas dye and slogged around the halls, looking for me.

I checked my watch, it was five-fifty-nine. The museum was about to open.

Quickly adjusting my waistcoat and brushing my hair, I came tapping down the marble staircase of the vast foyer. With two hands, I pulled open the enormous door.

As usual, the rich folk sauntered into the museum on their invisible high horses. My wandering eye scanned and assessed them quickly, any one of them could be my undoing. In the group of five there was two men: one plump and stubby, another gaunt and scraggly. Out of the three women, two were bony and frightening to look at like fleshy scarecrows with long, pompous noses. Lastly was a lady that was quite pale and beautiful, her eyes quite small on her face which was framed by ash-black bangs and a ponytail.

That woman, however, stood out to me long after we had begun the tour. The ponytail of hers didn’t stick out from her rich-girl high horse, rather her middleclass mannerism. She carried herself with a pride that was of a hardworking businesswoman, content and happy with her nine-to-five, not the accomplished grandeur of reeling in millions of dollars of fortune from multiple estates. Was this her?

I took them through a couple exhibitions, passing the glass-walled hallways between our greenhouses where Holly had eaten a man the week before. They clapped at the Venus flytrap’s enormous, olive mouth as it twisted under the evening starlight, oblivious to its horrific history. Though, maybe one of them knew. The one the curator had spoken to must have known everything.

We had stopped at the paranormal wing. They saw Mariette for a while before their eyes then set on something else.

“What’s under here?” A woman said, pulling at a display cabinet’s blanket.

“Take a look.” I said, pulling the fabric away with one shaky hand like a magician terrified of a failing stunt.

He had no human mouth nor teeth; his snout was the long hairy tube-appendage of a blowfly. You could see his black eyes in the incandescent light at certain angles – they had faded to pitch after the many years of anguish and isolation in his glass prison. His face was a charcoal black, not gray; so was his gangly body that broke out wings and spiny limbs through his hairy graphite flesh. There was no white in his eyes, only a screen-door pattern upon two bulging, dark eyeballs that housed a thousand more. He watched us unblinkingly through the glass, one deformed wing buzzing and clicking. Moving. Half human, half fly. Below the display on a golden placard, it read: BEELZEBUB.

The woman in a long brunette ponytail leaned in and gawked, pressing her done-up nails against the glass with a clack. As she turned her head to say: “Shouldn’t he be in the insect exhibit, guide?”. The thing inside the glass turned his revolting head, too, as if it could understand her. As if he felt mocked.

There were a couple chuckles from the rich crowd. My jaw tightened, though. They were upsetting him.

“He was there originally, yes.” I wiped one sweaty palm against my trousers. “He was brought into the museum by an anonymous donor, describing it as being the product of experimental chemical warfare.”

The lady nodded pensively; the thing buzzed inside the glass.

“However,” I continued. “Our team quickly disproved this. Our museum was unable to understand what this creature was, nor what happened to him. And so, he rots his days away stuck in the paranormal wing. It’s tragic, but necessary. I personally believe the person who donated him thought we were his last resort to dispose of him.”

Suddenly, one hairy feeler braced the glass and stuck against the barrier like a sickly black hoof. I felt queasy and wanted to move on, but the questions kept pouring.

“How did he get that name?” A man’s voice said from the back.

“In theology, Beelzebub was one of the seven princes of hell. In Ugaritic, the name roughly translates to lord of the flies.” My eye briefly caught the thing in the display cabinet bending its head to the side like a confused dog, one disgusting tube-snout rocking back and forth like a pacifier.

“Does it think? I mean, like you or I?”

“We simply don’t know.” I said. “Not many staff come into this exhibition chamber, let alone try interact with the pieces.”

Extending one arm forward, I ushered the crowd to walk on. We did for a while, until I noticed the woman with the black ponytail still pressed against the glass gawking at the blowfly’s body.

“Ma’am?”

She pointed an index finger at it for a couple moments before speaking. “I want to try speak to him. He looks like he’s in pain.”

“I don’t think that’s a good ide-“

“You- You probably pass him every day you work here,” She interrupted, her tone searing me like hot coal. “Giving tours, cleaning cabinets. And not once have you tried to find out if he’s still human in there?” Her finger darted against the glass to his bulbous, hairy black head.

I glared at her for a while and brooded. Did this museum guest have compassion? No... I swallowed. Was this her? The curator’s inside woman? The one trying to kill me? If she got any closer to the fly, she would be as good as dead. Though, I might be the collateral damage.

“We should move on.” I asserted.

She snorted. “No, I don’t think we shall.” The lady nodded her head towards to the enclosure. “Open it.”

“You are welcome to try to communicate with it through the glass.” I rapped my knuckles against the boundary.

She stared at me with shark eyes. “With the glass, he’s an animal. Without, he’s equal. I want to speak to him as such, now open the goddamn cabinet.” She boomed.

I couldn’t think straight anymore, the curator’s game was plaguing me. This had to be her, right? She was going to let Beelzebub free and kill us.

Still, I had a plan.

My shaky hand gripped the master key and slowly fumbled it into the cabinet’s lock. Inside, the abomination sucked its tube-snout pacifier back and forth in excitement. Its thousands of eyes saw fresh meat; he was hungry.

The woman reached her arm around and climbed into the cabinet with the creature, her expensive slippers skidding along the flooring with a screech. She was talking brave before, but confronted with the towering, contorted thing ahead, the lighting painted her pale face a horrified grimace. At that moment, she knew she wanted to get out.

The back of the woman’s still hung out past the cabinet’s doorframe in case she needed a quick exit, she didn’t dare stand fully inside the fly’s enclosure.

My heart was beating out of my chest. She was going to let him out, and Beelzebub shall suck my flesh through his face-straw like a human strawberry milkshake.

Breathing was hard, I felt like I was going to pass out.

Without warning, I kicked the woman forward. My foot planted itself on her back and she went tumbling into the enclosure and against the far end of the glass, screaming, screaming. I shut and locked the door swiftly. The curator will not have my head this evening. I found her. She’s the one who wants me dead.

“Help me!” She screamed. Gasps of the crowd behind me sounded like they were wheezing into balloons.

I leaned one hand against the door. “You wanted to speak to him face to face.”

The abomination was reanimated. Spiny insectoid hooks spread from its hairy half-human flesh; it spread and beat its ghoulish, torn wings. It was ready to feast.

“What the hell are you doing?” One of the men behind shouted.

I turned my head to him. “Complying.”

Suddenly, the woman’s drumming fists did something the frail insect’s hooves never could. She smashed a hole in the cabinet from the inside and came tumbling out onto the floor in a cascade of glass.

One of the pompous rich men laughed. He turned to run, but the buzzing monstrosity caught him.

From its glass prison, it spurted from its mouth tube; slime covered the man’s face like sage jelly dotted with smaller, black blowflies. It was like something out of my nightmares of Sophia.

The blowflies bored holes into his flesh, into his cheeks. Crawling didn’t get him far. The flies were already digging, digging. He screamed and the rest of the guests screamed, too. Flies buried under his cheeks and came crawling out through the corners of his eyes. Red gaping holes emerged beneath skin that popped like peach-colored balloons filled with bloody paint. The flies were even inside his gums, and the man screamed. He screamed and screamed until the screams were no more, until it was just me alone beside his corpse with the flies that crawled and squirmed inside his spiny flesh suit.

On my knees I vomited against a marble wall, my hand meeting his pool of life fluid on the floor. Exsanguinated.

Beelzebub’s mouth-tube met one of the man’s calves and sucked chunks of his fleshy soup up with a thurp like Satan’s vacuum cleaner.

From crawling to standing I broke into a sprint, managing to steady by dragging my hand against the marble as I ran, leaving trails of bloody finger-painted lines – a grotesque artwork only the TOOTHFAIRY could appreciate.

My feet skidded around the ground as I bolted around corners, past the living wall and deep-sea exhibition. At the end of one hallway, my eye caught her ponytail that darted into the museum’s theater. She was up to something; her plan failed, now she was finding something else to kill me.

Inside, the theater was vast and ornate, with rows upon rows of silky lilac seats. Marble balconies reached out over the stage like great, expensive white clouds. Small holes projected streams of light from the theater’s corners, ceiling, and stage. A brilliantly blue humpback whale suspended in shifting light floated from the entrance beside me, downhill the slope of seats before blubbering and disappearing into the wall as the projectors flickered. Specks of light from its shooting spout had hit my face like droplets of rain and felt like cold fingers against my cheek. For a short lifespan, our theatre and its holograms were real.

The brunette woman didn’t know that. Though, she was my executioner. Maybe she did.

I slowly stepped down the staircase.

She was shaking, screaming at me from the stage, her voice echoing in the enormous decorative room. “Get- get away from me!”

I stepped closer, closer. And she didn’t stop screaming. “You- You locked me in the cabinet with…” As she trailed off, the lights dimmed to a pitch-black. The next show was about to commence.

Trumpets suddenly boomed and shook the theater, spotlights illuminated a single holographic soldier cleaning his rifle to the right of his stage. The next showing was a war performance I had seen many times before.

My heart was beating in my chest, the fly was searching the halls for more food, and we were the closest feast.

I was pleading for us to leave at the top of my lungs over the loud roaring trumpets, barely hearing my own voice. The woman backed away, tears streaming down her face and distorting her mascara.

As if possessed by the museum, the soldier finished cleaning his gun, turned and gave me a sickening grin. White light flickered a show of revoltingly sharp teeth as he loaded his rifle. I had watched this presentation hundreds of times, and this was a first.

I screamed; the trumpets boomed and boomed. She kept walking backwards, away from me and into the soldier’s line of fire. My mouth was agape, my shriek rumbled my lungs with reverb, my soundless voice tearing away at my coarse throat.

The holographic bullet tore through her skull, a hammer meeting fleshy coconut. Bits of blood and brain painted chickenpox specks of death upon my maroon waistcoat. And the projected soldier showed teeth.

I thought back to the mirror I had cleaned earlier. SCATTERBRAIN.

Animated, the museum’s horrifying specter slowly bent to one knee and began loading his rifle with the next non-existent bullet.

I tumbled over seats and stairs as I sprinted from the stage towards the entrance, holes tearing away at the lilac fabric of the chairs as he shot, opening flaps like blooming verbena flowers.

I might have thrown up again if I didn’t have to keep running. Beelzebub slogged behind me distantly at the end of the hallway; his spiny, hooked feet screeching against the marble. Buzzing mocked me from behind as a deformed wing that was never meant to fly twitched in the starlight that flooded over his hairy thorax.

Guests were still screaming in the foyer, they darted in every angle like shaken ants.

My hand reached for the museum’s front door. My lady executioner was dead, but my eyes were traumatized with gore. I couldn’t bare it anymore. I reached to pull the door open and-

The museum’s phone rang.

Once again, my heart felt like it stopped beating.

I let go of my shaky grip around the cold doorhandle.

Up the stairs I went, wiping one sweaty hand against my trouser leg. Reluctantly, I reached for the phone.

“Hello?” My quiet voice fell out of my mouth.

“Oh, guide,” The sound of the plump curator pulling from his cigarette. “Your debt in punishment has been paid. None of tonight’s guests were anything special.”

I swallowed sour spit. My throat was tight. “What do you mean?”

“They’re middle-class volunteers on a luxury sponsored trip to a private museum - none were there for the exsanguination. And boy-o, did you prove that you belong here or what?”

I slammed the phone on my reception desk, the sound of plastic echoing throughout the foyer and ringing in my ears.

A cold feeling flooded my chest, my horrible realization dismantled me: This week, the guests never did anything particularly dreadful. It was me alone who had cornered them into hell from fear of losing my own life. My punishment from the curator was never death. It was torment.

Was I a monster, too?

For a while, I cried in the foyer, oblivious to the screaming and carnage unfolding throughout the museum. Tears flowed down my face and stained paperwork of dead guests; my hands still shaking from fear and dread from the museum's looming and reanimated monstrosities. Beelzebub was coming.

I didn’t like what I was becoming. I was going to leave this dreadful museum, no matter the price

---

Credits

 

I Talked to God. I Never Want to Speak to Him Again

     About a year ago, I tried to kill myself six times. I lost my girlfriend, Jules, in a car accident my senior year of high school. I was...